Read / Harmony and Pride: Celebrating LGBT+ Composers

Harmony and Pride: Celebrating LGBT+ Composers

Music has always been a powerful medium for expression and connection, and LGBT+ composers have made remarkable contributions to its vibrant landscape. Their stories resonate through their music, celebrating both individuality and the shared human experience. This Pride Month, we’re celebrating the lives and legacies of LGBT+ composers: their extraordinary talents and their impact on the world of classical music.

Pyotr Ilyich Tchaikovsky

1. Pyotr Ilyich Tchaikovsky (1840-1893)

One of the most well-known composers in classical music, Tchaikovsky left a legacy with works such as Swan Lake, the 1812 Overture, and his Piano Concerto No. 1, which the Modesto Symphony featured during their season opening concert in October 2023. Due to his international acclaim, the Soviet Union made great efforts to censor any mention or reference of Tchaikovsky being anything but heterosexual. However, many biographers do agree that he was gay, citing his long-term connections with men in his social circles, and the fact that he was a bachelor for most of his life, except for a short-lived, failed marriage to Antonina Miliukova.

Francis Poulenc

2. Francis Poulenc (1899-1963)

Francis Poulenc was a French composer and pianist, with a wide catalog of compositions, including piano works, operas, ballets, choral pieces, and orchestral concert music. He was one of the first openly gay composers, having a serious relationship with painter Richard Chanlaire. He was known as a very light-hearted individual within musician circles, which likely contributed to his more sincere & religious works being overshadowed. He was highly celebrated and in 1945, was commissioned by the London Philharmonic by the French government to perform his defiant compositions and works against Nazi rule.

Dame Ethel Smyth

3. Dame Ethel Smyth (1858-1944)

Ethel Smyth was an English composer, and a prominent member of the women’s suffrage movement. As a child prodigy, Ethel studied composition with other well-known Romantic Era composers, including Tchaikovsky, Grieg, and Dvořák. Her compositions were frequently criticized, being labeled as “too masculine” for a female composer. In 1910, she became involved with women’s suffrage and developed a close relationship with leadership. She was inspired to compose her most well-known work, “The March of the Women”, which then became the anthem for the Women’s Social and Political Union and suffragettes. Most of her lovers were women, and on her sexuality, she said that it was “so much easier to love her own sex.”

Samuel Barber and Gian Carlo Menotti

4. Samuel Barber (1910-1981)

Samuel Barber was a highly celebrated American composer, who made little effort to keep his sexuality a close secret. His life partner was opera composer Gian Carlo Menotti, who he met in 1928 while attending the Curtis Institute in Philadelphia. The two stayed together for 40 years, supporting each other’s careers—Barber received two Pulitzer Prizes, and Menotti completed 15 operas—while the two were together.
The Modesto Symphony Orchestra, featuring violinist Simone Porter, performed Barber’s romantic Violin Concerto in February 2023.

5. Jean-Baptiste Lully (1632-1687)

Jean-Baptiste Lully

Considered a top figure of the French Baroque style, little is known about Jean-Baptiste’s education and early life, although, accounts say that he was employed by a duke of Guise in 1647 to entertain his niece. It was during his time that he honed his skills in instruments and dance. By 1653, Jean-Baptiste caught the attention of King Louis XIV, who made him the royal composer for instrumental music, and would eventually rise to become the superintendent of the royal music and music master of the royal family in 1661. However, his talent and charisma would not prevent Louis XIV’s anger for Jean-Baptiste’s reputation of love affairs with many men and women in the court.

Leonard Bernstein

6. Leonard Bernstein (1918-1990)

Leonard Bernstein was one of the most important conductors and composers in American classical music history, and possibly classical music as a whole. His repertoire is widely celebrated, including the Broadway hit West Side Story—which the MSO performed an arrangement of during their That’s Entertainment! concert in March 2020, his Sonata for Clarinet and Piano, and Slava! A Political Overture, among countless others. He is also widely known for his humanitarian efforts in the civil rights movement, anti-Vietnam war efforts, and his advocacy for AIDS research. One of his most famous humanitarian performances was when he conducted Beethoven’s Symphony No. 9 to celebrate the fall of the Berlin Wall. He was married to actress Felicia Cohn, which was a reality for many gay men, to maintain a good public standing. Felicia was understanding of his sexuality, writing to him, “…If your peace of mind, your health, your whole nervous system depend on a certain sexual pattern what can you do?”

To learn more about Pride and how composers intersect, we encourage you to read more at the sources below!


Sources:
  • https://www.classicfm.com/discover-music/great-classical-composers-who-were-gay/
  •  https://www.ethelsmyth.org/about/biography/
  • https://www.spectrumensemble.org/samuel-barber.html
  •  https://www.classicfm.com/composers/bernstein-l/leonard-biography-compositions-family-wife/

Read / 6 Black Artists Who Changed Classical Music

6 Black Artists Who Changed Classical Music

There is a large catalog of talented Black artists who have left lasting impacts on the world of classical music but are overlooked because of their race. We have composed a list of 6 Black Composers and Musicians who influenced and helped shape the orchestral world. Which Black artist would you like to hear their music being performed live today?

Florence Price

1. Florence Price, composer (1887-1953)

Florence Price was born to a music teacher mother, who instilled a love of music in Florence from an early age. At the age of 4, she had her first piano performance, and at 11, her first composition was published. Unsurprisingly, she graduated from the Conservatory of Music in Boston with honors, receiving a teaching certificate and an artist diploma in organ. As a teacher, she influenced many upcoming Black musicians and composers, and received the honor of being the first Black woman to have her composition played by a major U.S orchestra, with Chicago Symphony Orchestra performing her Symphony No. 1 in 1933. The Modesto Symphony Orchestra had the honor of performing her Concert Overture No. 2 in October 2022 and Symphony No. 3 in May 2023.

William L. Dawson

2. William L. Dawson, composer
(1899-1990)

Dawson was a skilled trombonist as a child, and ran away from home as a teenager to pursue a career in music at Tuskgee Institute (now know as Tuskgee University). After graduating with honors, he would go on to receive a master's in composition from the American Conservatory of Music. He would start his career by teaching at Tuskgee, and directing the 100-member choir, recognized internationally and sponsored by the White House. Last February 2024, the Modesto Symphony Orchestra performed his most famous composition: Negro Folk Symphony. It premiered in 1934 by the Philadelphia Symphony Orchestra, and masterfully showed the evolution of American Classical music by incorporating elements of Black culture, blending them masterfully with classical forms.

Chevalier de Saint-Georges

3. Joseph Bologne - Chevalier de Saint-Georges, composer (1745-1799)

Not much is known about the Chevalier’s early music education, other than at the age of 7, he was sent to Paris for his musical studies. He would debut as a solo violinist in one of  Europe’s most renowned orchestras, Le Concert des Amateurs, playing two of his own violin concertos. He was appointed the next conductor of the orchestra, only furthering its renown and reputation across the globe. An accomplished composition writer, performer, fencer, and socialite, it is no surprise that president John Adams is quoted in saying “he is the most accomplished man in Europe”.
The 2022 biographical drama film, Chevalier, is based on his legendary life.

George Walker

4. George Walker, composer, organist and pianist (1922-2018)

George Walker has the distinction of being the first Black composer to receive a Pulitzer Prize in Music for his work, Lilacs in 1996. During his education at Curtis Institute of Music, he studied under many great classical performers and teachers, including Rudolf Serkin, Gregor Piatigorsky, and William Primrose. Perhaps this period, including his own experiences growing up around jazz, contributed to his unique composition style, where he did not tie himself down to one label or genre. Over his lifetime, he composed well over 90 different works, and received commission requests from the New York Philharmonic, Boston Symphony, Cleveland Orchestra, and Philadelphia Orchestra, among many others.

Marian Anderson

5. Marian Anderson, contralto (1897-1993)

Marian Anderson was an important figurehead not only in the opera community, but the civil rights movement in its entirety. Not to be discouraged by the roadblocks that would try and prevent her from a career in singing, she received her first spotlight in a singing competition with the New York Philharmonic at the age of 25, which propelled her onto singing tours across Europe and the United States. After initially being denied to sing at a concert in Washington D.C in 1939, by the Daughters of the American Revolution, Anderson was put into the international spotlight, which was not the norm for a female Black musician. After receiving presidential support from Franklin D. Roosevelt and First Lady Eleanor, Anderson would perform an open-air concert on Easter Sunday, 1939 to an integrated crowd of 75,000 people, and a radio audience of millions.

Marian was invited by the MSO in 1956 to perform a recital at the historic Strand Theater (where Brenden Theaters now resides in Downtown Modesto). The audience was at full capacity and according to Pat Morrison of the Modesto Bee, “Her direct and reverent style, deep in feeling and calm in confidence lends a spiritual tone to her voice. To hear Marian Anderson is more than a musical experience.” 

Duke Ellington

6. Duke Ellington, pianist and composer (1899-1974)

Duke Ellington spent most of his early musical years writing one-off compositions while working other jobs. For example, his first composition, entirely written by ear was the “Soda Jerk Rag” at the age of 15. Around 1919, however, Ellington was encouraged by artists around him to pursue his musical career. Finding success as a piano player, Ellington formed his own group that would play around Virginia and Washington D.C. He would gain national recognition, however, in the1920s, with his orchestra’s feature in the Cotton Club at Harlem. He would conduct his jazz orchestra until his last days and received a posthumous Pulitzer Prize in 1999. More recently, you may have heard the MSO perform the Duke Ellington Fantasy arranged by Leroy Anderson at their Great American Songbook concert in March 2023.

To learn more about Black excellence in music, we encourage you to check out the sources below!


Sources:
  • https://jimcrowmuseum.ferris.edu/question/2021/december.htm
  • https://www.classicfm.com/discover-music/black-composers-who-made-classical-music-history/
  • https://www.laphil.com/about/watch-and-listen/the-legacy-of-henry-lewis
  • https://www.carnegiehall.org/About/History/Carnegie-Hall-Icons/Marian-Anderson

Post / MSO Chorus Summer Sings 2024!

MSOC SUMMER SINGS

A BRAND NEW CHORUS SUMMER PROGRAM!

MSOC Summer Sings will have three consecutive meetings during the month of June. This opportunity is available to anyone who is interested in singing, no audition or previous experience required!

Time: Mondays from 7:00 pm to 9:30 pm
Location: First United Presbyterian Church (1600 Carver Road, Modesto)

The price (or suggested donation) is $5 per person, per meeting (cash or check only).

Each meeting will have a theme that explores different repertoire:

  • June 10, 2024 – Music from the United States:

    We will explore works by mostly 20th and 21st Century American composers, with music in different genres and styles, including works by some California composers.

  • June 17, 2024 – Music from the Romantic Period:

    We will sing works from the Romantic period, including compositions from different parts of the world and by lesser-known composers.

  • June 24, 2024 – Music from Latin America:

    We will take a brief “tour” of Latin America through works from Argentina, Brazil, Chile, Peru, Venezuela, and more! (Yes, there will be an Afonso piece in this session).

Please register before attending by filling out our form here.

REGISTER FOR MSOC SUMMER SINGS →

For any questions, please contact our Chorus Director, Daniel Afonso Jr. at dafonso@csustan.edu.

Modesto Symphony's 2024/25 Season of Energy!

Welcome to a season of Energy! The MSO has a fantastic season of concerts that run the gamut of emotions: from Picnic at the Pops! Dancing in the Streets to a new spin on Vivaldi’s The Four Seasons to bringing Walt Disney’s beloved animated Fantasia to life on screen and stage! You’re guaranteed to move and be moved this season at the Modesto Symphony Orchestra.

Our 2024/25 Series:

Read / Beethoven's 9: A Symphony of Influence

Beethoven’s 9: A Symphony of Influence

Beethoven’s Symphony No. 9 is not only one of the Beethoven’s greatest compositions, but possibly one of the greatest classical music compositions of all time. A piece full of bombastic sounds and joyous energy, it was completely revolutionary for the time. It’s also the first example of a major composer scoring vocal parts in a symphony.

The story goes that, at the premiere of the symphony, either during the second movement or near the end of the finale, the audience erupted into applause. Beethoven, who was still conducting, was turned around by one of the vocalists to accept the cheers from the audience members. The audience took part in a standing ovation, throwing hats and waving hands, so Beethoven (who was profoundly deaf at this point in his life) could understand the celebration of the audience.

Beethoven’s Symphony No. 9 not only impacted the classical music sphere, but pop culture entirely. His symphony has been referenced time and time again, across many forms of media. We’ve complied a list below; see if you can recognize your favorite films or tv shows!

  • European Anthem - In 1972, the Council of Europe adopted Beethoven’s “Ode to Joy” theme as it’s anthem, and became official in 1985. There are no lyrics to the anthem, as the universal language of music expresses the ideals of freedom, peace, and solidarity.

  • Die Hard (1988) - “Ode to Joy” has a surprising feature in the hit 80’s action film (and Christmas movie!) , during the scene in which the building’s vault is broken into. It seems a strange choice for the genre of film, but director John McTiernan wanted to include it as a reference to the following Kubrick film:

  • A Clockwork Orange (1971) - Symphony No. 9 is featured in bits and fragments throughout the film, a favorite symphony of the anti-hero protagonist, that is turned against him in the end.

  • NBA ‘I Love this Game’ Campaign (1990s) - ‘Ode to Joy’ was featured in NBA’s commercial campaign, serving as a soundtrack to describe all the emotional highs and lows on the court.

  • Muppet’s “Ode to Joy” cover - Another fantastic example in the Muppet’s cover repertoire, featuring Beaker on every part.

  • The Compact Disc- It was rumored that the CD was specifically designed to accommodate 74 minutes of music so it could accommodate Beethoven’s symphony.

These are just a few of the many examples of Beethoven’s impact. Whether you’re a long time music fan, or just starting to listen, we hope that this list illustrates just how important music can be to all different aspects of culture.


Sources:
  • https://en.wikipedia.org/wiki/Symphony_No._9_(Beethoven)#Influence
  • https://www.kdfc.com/articles/the-many-lives-of-beethovens-ninth-symphony

Listen / Arts of the San Joaquin Valley: Nicholas Hersh Interview

Arts of the San Joaquin Valley

Episode 48: Nicholas Hersh

Nicholas Hersh, Music Director of Modesto Symphony Orchestra, talks with co-host Linda Scheller about becoming a conductor, music in education, balancing the canon, a music director's responsibilities, and the significance of live musical performances.

Sound Bite / Celebrating Brotherhood & Joy: Beethoven's 9

MSO Chorus Director, Daniel R. Afonso Jr. joins MSO Music Director, Nicholas Hersh as they discuss the joys of uniting two musical forces: orchestra & chorus in Beethoven's masterpiece: Symphony No. 9!

They also provide insight about the challenges of singing in acapella and English for the Chorus' performance of Amy Beach's "Peace I Leave With You" (Don't get them started on diphthongs!)

See the MSO & MSO Chorus perform Beethoven's Symphony No. 9 live this May 10 & 11, 2024 at the Gallo Center for the Arts.

Sound Bite / Reinventing Baroque: How These 3 Composers Were Inspired by Bach

Music Director Nicholas Hersh explores how composers Astor Piazzolla, Louise Farrenc, and Felix Mendelssohn were inspired by studying Bach and the Baroque period, and created fresh and innovative compositions.

See the MSO perform the works of Farrenc, Mendelssohn, and Piazzolla live this April 12 & 13, 2024 at the Gallo Center for the Arts.

Meet the MSO: Rob Patterson, clarinet

Meet the MSO: Rob Patterson, clarinet

We’re bringing the stage to you! We asked Rob Patterson, clarinet for the MSO, a few questions about his experience with the Modesto Symphony Orchestra thus far, what he’s looking forward to and more about himself: from his favorite school subject, and his answer to the question: dogs or cats? Read on and learn more about your Modesto Symphony Orchestra!

MSO: Tell us about yourself, and how you came to play with the Modesto Symphony Orchestra?

I came to Modesto in a very round about way. I met Matthew Oshida, the orchestra’s personnel manager, while we were both playing with the Huntsville (AL) Symphony. We both were from out of town and needed rides so we bonded quickly. After that Matthew started asking me to come out to Modesto. It seemed crazy (I was living in Washington DC at the time) but I figured it would be a fun adventure and I’d get to also visit my older brother in San Francisco. I had so much fun that I’ve been coming back ever since!

Rob Patterson (back left), clarinet. circa 2018

MSO: What is your favorite memory playing with the MSO so far?

My favorite memory so far was playing basset horn on the Mozart Requiem last season. I had never played a basset horn before and it was a great adventure. The guy playing second basset horn with me is now in the New York Philharmonic, so it really was a great experience!

MSO: What are you most looking forward to for the rest of the 2023/2024 season?

The Copland Concerto will be a season highlight for me, what a treat to play such a beautiful piece of music with my friends.


Get to know ROB!

Besides music, what was your favorite subject in school?
I love languages, I finished the Spanish program in my high school early so I started up French as well! I have several of Chinese speaking students and am currently working on my Chinese with DuoLingo, boy is that hard…

What sport would you play in the Olympics? I would compete in Squash, which will officially become an Olympic sport in 2028!

Olive, calico cat and Dewey, beagle

Dogs or cats?
Both. I have a beagle named Dewey and a calico named Olive.

Go to the beach, or go to the mountains?
Sorry to dodge the question again, but both! I have a lot of family in Colorado and I love hiking there. When I go to the beach though I love just completely letting go and basking in the sun. If I’m in a good spot for it, I do love to go snorkeling.


Come see Rob play on stage, and meet him along with the rest of the orchestra at Symphonic Soundtrack this March 15th and 16th at the Gallo Center for the Arts!


Sound Bite / Curating a Concert with MSO Musicans

Programming a concert by yourself can get lonely, but with musicians to help: it's a party! Music Director Nicholas Hersh along with MSO musicians, Don Grishaw, violin and Rob Patterson, clarinet, introduce a brand new symphony experience: Symphonic Soundtrack! This performance will be a relaxed & fun concert featuring shorter pieces curated by the MSO, followed by an after-party for our audiences to meet & mingle with our musicians & music lovers.

Meet the MSO: Don Grishaw, violin

Meet the MSO: Don Grishaw, violin

We’re bringing the stage to you! We asked Don Grishaw, violinist for the MSO and MSYO Concert Orchestra conductor, a few questions about his experience with the Modesto Symphony Orchestra thus far, what he’s looking forward to and more about himself: from his secret talent to his own ‘theme music’. Read on and learn more about your Modesto Symphony Orchestra!

MSO: Tell us about yourself, and how you came to play with the Modesto Symphony Orchestra?

Don Grishaw (circled), violinist, circa 1990s.

I auditioned for the Modesto Symphony when I arrived in Turlock in 1982. The conductor at that time was Sandor Salgo. I have been a member of the violin section ever since. I also conduct the Concert Orchestra division of the Modesto Symphony Youth Orchestra. I am a retired public-school educator. I taught Music and Spanish at the secondary level and bilingual education classes at the elementary level. I am married to my beautiful wife, Angelica, and I have two grown children, Elizabeth and Andrew. We are all musicians.

Don (center), pictured with (left-to-right) daughter-in-law Paige & son, Andrew; wife, Angelica; and daughter, Elizabeth

MSO: What is your favorite memory playing with the MSO so far?

I have many favorite memories of playing with the Modesto Symphony, but I think my favorite memory is when my son Andrew Grishaw performed as a viola soloist with the symphony in 2019. He played the Violet Viola Concerto composed and conducted by David Lockington. It was heartwarming to hear my son play so passionately and to be on stage with him.

MSO: What are you most looking forward to for the rest of the 2023/2024 season?

I enjoy every concert. I enjoy performing new pieces and I enjoy performing pieces that I have played many times before. This season I am most looking forward to performing Beethoven’s 9th Symphony in May. This work amazes me more and more every time I perform it! Beethoven truly speaks to us through music in this great masterpiece.


Get to know don!

If you weren’t a conductor/musician, what would you want to be?
I have been an educator all my life, so I would choose teaching.

What instrument(s) do you play? Violin, viola, and piano

What would be the theme music to your life? “Gema” sung by Los Dandys.  It is a beautiful love song in Spanish that my wife and I call “our song”.

What are you binge-watching right now? I like crime dramas. S.W.A.T. is my favorite.

Do you have a secret talent? Horses. In my younger days, I worked at a horse pack station in the Sierras guiding summer pack trips.

If you had a time machine, would you go back in time or into the future?
I would go back in time so I could relive the days of the Old West.

Go to the beach, or go to the mountains?
Hard choice, but I would pick the mountains. I love the smell of the mountains and the scenery is always gorgeous.


Come see Don play on stage, and meet him along with the rest of the orchestra at Symphonic Soundtrack this March 15th and 16th at the Gallo Center for the Arts!


Discovering Dawson's Masterpiece: The Negro Folk Symphony

about the composer

Discovering Dawson’s Masterpiece: The Negro Folk Symphony

William L. Dawson, composer

Born on September 26, 1899, in Anniston, Alabama, William Levi Dawson emerged as a prominent composer, conductor, and educator, contributing significantly to the cultural landscape of the 20th century. Among his notable works, the Negro Folk Symphony stands as a testament to his artistry and commitment to celebrating Black American musical traditions.

Dawson’s journey in music began at an early age, and he quickly became a skilled trombonist. As a teenager, he ran away from home to pursue a musical education at the Tuskegee Institute, now known as the Tuskegee University. After graduating with honors in 1921, Dawson went on to pursue a Bachelors of Music from Horner Institute of Fine Arts, and a Masters Degree in Composition from the American Conservatory of Music. Dawson’s exposure to the rich heritage of Black American folk music during this time laid the foundation for what would become one of his most celebrated compositions.

After completing his studies, he was given tenure from the Tuskegee Institute, where he conducted the 100-member choir in several nationally recognized broadcasts and performances, including performances at the White House and Constitution Hall. Dawson also went on an international tour with the Tuskegee Choir to the British Isles, Europe, and the Soviet Union under the sponsorship of President Franklin. D. Roosevelt. Beyond his many achievements and honors, Dawson’s symphony is what gave him the most notoriety in the sphere of musical arts.

Composed in 1934, Dawson’s Negro Folk Symphony is a groundbreaking work that masterfully blends classical forms with the vibrant rhythms and melodies of Black American folk music. Dawson drew inspiration from spirituals, work songs, and other traditional tunes, infusing the symphony with a unique cultural resonance. In a 1932 interview, Dawson said: “I’ve tried not to imitate Beethoven or Brahms, Franck or Ravel…the finest compliment that could be paid to my symphony when it has its premiere that it unmistakably is not the work of a white man.”  

Negro Folk Symphony had its world premiere on November 14, 1934 by the Philadelphia Symphony Orchestra, under direction of Leopold Stokowski, at Carnegie Hall. It was an instant, but fleeting success at first before falling into obscurity until 18 years later. After a several-week tour in West Africa in 1952, Dawson was inspired to revise his symphony and integrate the unique rhythms and musical experiences from his trip. This revised symphony is what is commonly heard today.

The Negro Folk Symphony not only showcases Dawson's compositional prowess but also serves as a significant cultural statement. It is a shining example of the excellence of Black American musicians and composers, once lost to time, getting the recognition that they deserve in the modern orchestral sphere.  .  In a time when racial inequality and discrimination were pervasive, Dawson's work highlighted the beauty and strength inherent in Black American musical heritage. This symphony has endured as a symbol of resilience and cultural pride, continuing to be performed and celebrated by orchestras around the world.


Listen to Dawson’s Legacy Live!

Come hear William Dawson’s Symphony No. 3 this February 9th & 10th at the Gallo Center for the Arts!


Learn more about Dawson (Reference):

Read / Growing Together with Music

Growing Together with Music

by Nicholas Hersh

Nicholas Hersh & Pitman High School Orchestra

The 21st-century symphony orchestra should have two fundamental missions: presenting musical experiences for the community at the highest possible artistic caliber, and providing opportunities in music education for as many children as possible. The most cynical amongst us might say we're simply preparing the next generation of music lovers to come to the symphony! Of course, anyone who has taken music lessons, or been in a school or after-school musical ensemble, knows that there’s so much more to the experience than simply “how to music.”

Music educators teach a myriad of skills, like cooperation (“open your ears and play together!”), critical thinking (“who has the important line here?”), problem solving (“try this fingering!”), attention to detail (“don’t rush the eighth notes!”), and discipline (“practice!!!”). And there is nothing so satisfying for a student as mastering a piece of music and performing it in front of gathered friends and family.

Nicholas Hersh & Johansen High School Band

My own years in school orchestra and youth orchestra were formative for my life and career, instilling in me a deep appreciation for the symphonic experience that led me to become a conductor. It’s a core tenet of my vision for the MSO to continue to invest in music education, and to expand its reach as far as possible.


Sound Bite / Discovering the Artistic Voices of Dawson, Boulanger, & Gershwin

Music Director Nicholas Hersh takes us back to experience what it was like to be an artist and composer during the period between World War I and World War II, both at home in America and abroad in Paris. He deep dives into three composers of the time: George Gershwin, Lili Boulanger, and William L. Dawson, and explores the connections between them.

See the MSO perform the works of Gershwin, Boulanger, and Dawson this February 9 & 10, 2024 at the Gallo Center for the Arts.

The Future in Action: Interview with MSYO’s Rylan Post

The Future in Action: Interview with MSYO’s Rylan Post

The MSO is proud to announce that Rylan Post, concertmaster of the MSYO Symphony Orchestra, has been appointed the concertmaster of the Mariposa Yosemite Symphony Orchestra. He will be the fourth concertmaster appointed in the orchestra’s 21-year history, and the youngest at 15 years old. Conductor and Mariposa Yosemite Symphony Orchestra founder, Les Mardsen, announced the appointment in early December 2023, emphasizing Rylan’s artistic maturity, technique, and tone quality. We were able to meet with Rylan and go over his musical past, present, and goals for the future.


MSO: Firstly, we want to talk about you and your musical journey, your time with the MSYO, and any significant influences and inspirations shaping your passion for music?

Rylan Post: I am 15 years old and a junior at El Capitan High School, and was born and raised in Merced. I started taking violin lessons at the age of 3. I’ve also been playing the alto saxophone since I was 9 and am currently playing in both marching band and jazz band at my school.

In 2018 when I was 10 years old, I joined the Modesto Symphony Youth Orchestra, in which I am currently concertmaster. I had already joined the Merced Union High School District orchestra a year before, despite being too young, and was looking for a group that challenged me while staying within my age group. That was when my violin teacher at the time, Caitlin Hunsuck Serpa, informed me of MSYO, which both of her brothers had participated in when they were younger. I enjoyed the opportunity so much that it was worth the drive from Merced every Wednesday.

Modesto Symphony Youth Orchestra 2018

Rylan Post (pictured, front row, second violin from the left) and the Modesto Symphony Youth Orchestra in 2018.

Being honest, I must accredit most of my achievements in music to Ms. Caitlin, as she’s my biggest musical inspiration and musical mentor to this day. She not only taught me everything I know as a violinist, but also instilled in me a deep love for music and those who play it.  

MSO: Being named concertmaster is an amazing achievement! Could you please tell us more about your history with the Mariposa Yosemite Symphony Orchestra (MYSO), and how you became concertmaster?

RP: Last May, MYSO’s conductor Les Marsden reached out and asked me if I was interested in the role of acting concertmaster while the current concertmaster was out of state for work. I felt intimidated to be faced with a “real” orchestra at first, but I knew it was a once-in-a-lifetime opportunity so I accepted the invitation. When the concertmaster’s move became permanent, I was offered the chance to make my role permanent. I feel very privileged to play alongside the talented, experienced members who I respect and learn so much from.

MSO: What are the differences you’ve experienced between performing with your high school orchestras & bands, Modesto Symphony Youth Orchestra, and Mariposa Yosemite Symphony Orchestra?

RP: Over my 12 years of being a part of the music community and the performing arts, I have played alongside many different groups and interacted with many different types of people. That’s my favorite part of my musical variety. Across my school programs, my district orchestra, MSYO, and MYSO, I’ve been challenged in multiple ways and have needed to adapt to different situations and people in order to make the best music possible.

For example, my school programs tend to perform simpler music than my orchestral groups, but are much more competitive due to the nature of band reviews and CMEA competitions. I would consider MYSO my greatest challenge, as we not only play very difficult music, but it is also a group of mostly adults, which adds to the pressure of being concertmaster. Nonetheless, across all of my groups there is a level of respect and camaraderie maintained that is unlike any other.

MSO: Now that you’ve performed in all various ensembles and solo, which do you prefer?

RP: I consider myself a very extroverted person and I like to do things with others in general, so naturally I prefer to play in ensembles than in solo. Since I was little I’ve always been fascinated by the way instruments harmonize with one another, despite differences in appearance, pitch, or method of playing. Seeing a piece come together after weeks of hard work is so satisfying to me, and MSYO has given me that satisfaction countless times over the years. Being able to share this joy with the students and musicians around me is a priceless feeling.

MSO: What have you enjoyed about your experience with the MSYO and what do you look forward to this upcoming season?

RP: I’ve grown up not only as a musician, but as a person as well over the years I’ve been in MSYO. The memories, experiences, and friendships we’ve built here at MSYO are something so unique and precious, and I’m sure I’ll cherish them as long as I play music. As my senior year creeps closer and closer, I’d just like to focus on enjoying every moment, every song, and every concert.

This upcoming concert, I’m so excited to finally be able to perform under the direction of MSO Principal Pops Conductor Ryan Murray. Lastly, I’d like to express my gratitude to all of the parents, music educators, and MSO/MSYO staff for supporting our musical journey. I can’t wait to share our beautiful selections with those who love the music as much as we do.


See rylan and the msyo perform!

Come watch the MSYO perform Mozart, Rimsky-Korsakov, and Tchaikovsky this February 10th at the Gallo Center for the Arts!


Get to Know MSO's New Music Director Nicholas Hersh!

Get to know Nicholas Hersh!

We are so excited for Nicholas Hersh’s to join our Modesto community, and we can’t wait for you to meet him. We asked him to share a bit about himself from what instrument he plays to his favorite pizza topping. Keep reading to learn more about Nicholas!

If you weren’t a conductor/musician, what would you want to be?

Probably an astronomer—I’m fascinated by space and celestial bodies!

Star Wars or Star Trek? Lifelong Star Wars nerd, reporting in

What instrument do you play?

Cello.

What was the first concert you went to? The first I really remember is The Magic Flute at the Chicago Lyric Opera when I was about 6 or 7.

Besides music, what was your favorite subject in school?
My high school had a fantastic curriculum called Chem-Phys, where you took Chemistry and Physics jointly. I wasn’t great with the Chem, but absolutely loved the Phys!

Dogs or cats?
Love them all, but seeing as I have two cats at home...

Describe yourself in three words. Curious. Creative. Committed.

Do you have a secret talent?
Not too secret (see Instagram), but I make sourdough bread.

What is your favorite pizza topping?
Cheese, cheese and more cheese!

What would be the theme music to your life?
John Williams’ “Adventures on Earth” from E.T.: The Extra Terrestrial

Go to the beach, or go to the mountains?
First one, then the other! But I just went skiing for the first time, and I LOVED it.


Nicholas on joining the MSOA:

“I am beyond thrilled that my first music directorship will be in such a vibrant, music-loving city as Modesto. There was a certain electricity in the Gallo Center when the MSO musicians and I collaborated last year, shared not only onstage but with the audience as well; together we’ll grow that energy, creating bespoke artistic experiences for the entire Modesto community and cementing the role of music education for all ages as a driver of social good.

Orchestral music has endured, and I believe symphonies will continue to serve as a vehicle for great music. You have gathered onstage a group of virtuoso musicians working together toward a unified musical vision, and an audience gathered in the house to take it in. It’s a bit of an odd ritual—this mysterious congregation! But it’s the sense of community the orchestra creates, with every musician and concertgoer participating, that gives an orchestra concert its staying power: when the lights go down and the sound of some eighty acoustic instruments envelops you and those around you...well, there are few words to describe that sensation.”

Click to enlarge.

Click to enlarge.

Sound Bite /Celebrate 30 Years of Tim Burton's The Nightmare Before Christmas with the MSO!

Principal Pops Conductor Ryan Murray invites you on a journey to Halloween Town when the Modesto Symphony Orchestra performs Danny Elfman's iconic score for Tim Burton's The Nightmare Before Christmas, live to film!

See the MSO perform Tim Burton's The Nightmare before Christmas in Concert Live to Film this November 3 & 4, 2023 at the Gallo Center for the Arts.

Sound Bite / A Celebration of Music with Music Director Nicholas Hersh

Conductor Nicholas Hersh is excited for his debut as the MSO’s new Music Director! He has put together a program that celebrates not only the partnership of MSO and himself, but also this new era for the MSO and our community.

Hear the MSO perform the works of Mozart, Tchaikovsky, and Copland live this October 13 & 14, 2023!

Hear What's Next: MSO's 2023/24 Classics Series with Nicholas Hersh!

Music Director Nicholas Hersh invites you to Hear What's Next in this Modesto Symphony Orchestra's 2023/24 Classics Season!

Our 2023/24 Classics Series:

Capathia Jenkins pays tribute to Aretha Franklin at Picnic at the Pops!

Broadway star, Capathia Jenkins invites you to see her at this one-night-only unforgettable event! Pack your picnic and get ready to see Capathia perform the hits of Aretha Franklin and more!

Hear the music of Aretha Franklin and more performed live by the MSO this September 9, 2023!