Principal Pops Conductor Ryan Murray is ready to invite you back for another fun-filled night at Picnic at the Pops paying tribute to the Queen of Soul: Aretha Franklin!
Hear the music of Aretha Franklin and more performed live by the MSO this September 9, 2023!
The Modesto Symphony Orchestra Association is excited to announce that our Board of Directors has named Nicholas Hersh as our next music director! Nick will be the ninth music director in our 93-year history, and we are eager to see how Nick’s artistic vision and passion for music education will raise the MSOA and our programs to new heights!
Whether you’re a seasoned Picnic veteran, or this is your first time enjoying Picnic, we know a lot goes into planning your picnic-perfect evening. The MSO has put together a Picnic Planner to ensure that you have an unforgettable night with us!
Bring a comfy blanket, or low sand chairs to sit and enjoy the show (seats lower than 9”, and backs must be lower than 32” from the ground)
Water, don’t forget to hydrate!
A cooler for your non-alcoholic beverages, your favorite snacks, or picnic meal.
We will have an Express Bag Check for anyone with a clear bag or no bags.
No outside alcohol please!
Video and audio recording equipment.
Grills, cooking devices, or anything with an open flame.
Pets (Service animals are welcome).
Please, no fireworks, noisemakers, or items that may disturb the peace.
Worried about finding parking? We highly encourage you to use a RideApp service (like Uber or Lyft), especially if you plan to enjoy our wine offerings at Picnic.
There is a designated pickup and drop-off spot for services located in the GREEN Premier Parking Lot 4. Use address 100 Administration Circle and follow the signs to the right for RideApps drop-off and pick-up.
Guests are welcome to bring their own picnics, as simple or complex as they like, to Picnic at the Pops!
Don’t want to worry about the hassle? We got you covered! Pre-order a picnic dinner from The Village Butcher to have ready on-site for you to enjoy.
Wine generously donated by the E. & J. Gallo Winery will be available to purchase on-site. 100% of wine sales proceeds benefit the Modesto Symphony Orchestra. For the full wine & beverage list, click here.
Purchase delicious food from the Sinaloense Food Truck and dessert from Yogurt Mill’s Froyo Truck.
Modesto Symphony Youth Orchestra will be selling Glow Products to help you light up your night. 100% of proceeds go towards MSYO scholarships. (Glow product sales are cash only.)
If you want to get your tickets today, visit in-person or call the Gallo Center for the Arts at 209-338-2100. Tickets are also now available to purchase from our ticket outlets below:
Modesto Symphony Orchestra Office:
911 Thirteenth Street, Modesto, 95354
Monday – Friday
10 am to 4:30 pm
The Village Butcher:
1700 McHenry Ave #65, Modesto, CA 95350
Tuesday – Friday: 10 am to 7 pm
Saturday: 9 am to 4 pm
www.thevillagebutcher209.com
Carnegie Arts Center:
250 N. Broadway, Turlock, CA 95380
Tuesday – Saturday: 10 am to 5 pm
www.carnegieartsturlock.org
Groups of 10 or more can save 20% off General Lawn Seating tickets! Call the Gallo Center ticket office at 209-338-2100 for more information.
We hope this quick guideline helps you out and we can’t wait to see you all this September!
Come watch Capathia Jenkins and Darryl J. Williams, conducted by Ryan Murray, perform Aretha: A Tribute alongside the Modesto Symphony Orchestra this September 9th at the E. & J. Gallo Winery Grounds!
Aretha Franklin, 1968
Aretha Franklin (born March 25, 1942, died August 16, 2018) was an American singer who was a pioneer of music, and defined the golden age of soul in the 1960s. Her mother was a gospel singer, and her father was a minister, allowing Aretha to perform gospel programs around the country as a young teenager. At age 18, she began recording secular music. While stunningly taleneted, she intially struggled to reach audiences until her 1967 single “I Never Loved a Man (the Way I Love You)” became her first million-seller. Success continued to follow with her albums "Aretha Arrives" (1967) and "Soul '69" (1969), to name a few. She was a highly awarded artist: receiving a Hollywood Star in 1979, being the first woman inducted into the Rock and Roll Hall of Fame in 1987, a Kennedy Center Honor in 1994, a National Medal of Arts in 1999, and the Presidential Medal of Freedom in 2005. Aretha was a dedicated activist, using her platform to promote civil and women's rights, often covering payroll for activist groups, and performing at various benefits. Aretha Franklin was a pioneer in music for Black women, an icon in soul music, and had a major impact on social justice. Her legacy has and will continue to impact the world of music and the arts.
In celebration for our Picnic theme this year and Aretha Franklin’s impact on music, the MSO has selected our top 5 Aretha Franklin songs:
Aretha Franklin’s soulful lyrics and the high rock tempo provide the perfect storm for this R&B classic about being unable to leave an unfaithful lover.
Already an iconic Dionne Warwick song, Aretha’s version is a transformative version that stands out as not only a classic for her music, but considered one of the top 500 songs of all time, according to Rolling Stones.
While the original song was written by Otis Redding, Aretha’s cover is a staple of music and pop culture. Her version revamps the original song into a strong declaration from a confident woman that she deserves respect from her man. Show some R ● E● S ● P ● E ● C ● T!
A legendary song from a legendary performer, which is the expression of finding someone who makes you feel like you can be yourself.
Allegedly written about Franklin’s troubled marriage to Ted White, the song rapidly became a protest song for civil rights and women’s liberation movements, and is known today as a feminist anthem.
Come hear your favorite Aretha Franklin hits this September 9th at the E. & J. Gallo Winery Grounds!
Ryan Murray, conductor
Capathia Jenkins, guest vocalist
Darryl J. Williams, guest vocalist
Sat. Sept. 9, 2023 at 7:30 pm
E. & J. Gallo Winery Grounds
Learn more about Aretha Franklin (Reference):A&E Networks Television. (2021, September 15). Aretha Franklin. Biography.com. https://www.biography.com/musicians/aretha-franklin Encyclopædia Britannica, inc. (2023, July 12). Aretha Franklin. Encyclopaedia Britannica. https://www.britannica.com/biography/Aretha-Franklin
Peterson, K. (2023, June 2). 17 best Aretha Franklin songs: The queen of soul’s greatest. Music In Minnesota. https://www.musicinminnesota.com/aretha-franklin-songs/
This May 31st & June 1st, the Modesto Symphony Orchestra returns to a galaxy far, far away when we perform Star Wars: Return of the Jedi live to film!
Principal Pops Conductor Ryan Murray conducted many of the MSO’s film concerts, including last year’s Star Wars: The Empire A New Hope and in 2022, Star Wars: A New Hope in Concert. This year, he will be leading 84 musicians in perfect time as Star Wars: Return of the Jedi plays on a 26’ x 16’ screen (the equivalent of 36 60” TVs!). An impressive feat that is a result of only 5 total hours of rehearsal time together!
Read on for an exclusive look behind the stage to see what goes into preparing for a unique concert like this with an interview with Ryan Murray we did last May 2023!
MSO: How long does it take for you to prepare for a movie concert and is there any difference compared to preparing for a standard classics or other pops concerts?
Ryan Murray, conductor: It takes anywhere between four to six months to prepare for a movie concert and there are some major differences in how you prepare for these concerts compared to a standard classics or pops concert. The major difference in getting ready for one of these concerts is memorizing and internalizing the tempos of the original movie. Unlike in a traditional concert where the interpretation can vary from orchestra to orchestra and conductor to conductor, in the movie concerts you must play exactly in time with the film! And while I have a special screen in front of me with something called punches and streamers on it to help me line up with the film, the orchestra does not have that information, so it’s my job to really know the score inside and out so that we can make sure everything lines up just right!
Conductor Ryan Murray at the podium, with screen that provides film information in real-time.
MSO: Could you explain the how you use the screen in front of you to help line the orchestra up with what is on the big screen?
RM: Sure, while I’m conducting I have a click track and a special screen in front of me that I use to line everything up with the film. The orchestra does not have that information, so it is really the conductor’s job to make sure that all the tempos line up exactly with the film. Once the movie starts there is no margin for error, and we all must work very hard to make everything match! It is actually a very fun challenge and keeps you on your toes as a conductor!
MSO: Now that you've done a couple Star Wars in Concert performances, what did you learn from that experience and were there any surprises or challenges that come to mind?
RM: I think that the most interesting thing about performing the Star Wars movies in concert is how much freedom you have as a conductor. The score is written in such a symphonic way that you have the room to be slightly flexible with each performance- each performance is unique and exciting! Obviously, there are key moments where you have to make sure everything lines up exactly, but there are other places where you can let the orchestra be a little bit free and that makes for a really incredible musical experience.
MSO: John Williams’ scores are so iconic and each film he works on is distinctive, even when included in a franchise like Star Wars. Are there any differences to the overall musical tone for this movie, The Empire Strikes Back compared to A New Hope?
RM: There are a lot of similarities in the soundtrack including the overall size of the orchestra, the way the music is scored and the iconic opening credits music, but there is a little bit of a darker tone to this movie. The music is a bit more introspective, and I think emotionally a little bit deeper as well. We get introduced to some new characters in this film including Yoda, and the wonderful music that makes up Yoda’s theme. We also see a great character development arch happening with the main players from the first film and the music reflects that beautifully.
MSO: So, who is your favorite character from the franchise and what is your favorite theme to listen to and which is your favorite to conduct?
RM: It would be hard to pick a favorite character from the franchise, probably Yoda or Darth Vader – talk about opposite ends of the spectrum! They both have such great music!
I really enjoy conducting the opening theme – that classic Star Wars melody. The opening ten minutes of every Star Wars movie features the entire orchestra and some really challenging music– it’s always a lot of fun! I always enjoy listening to the Imperial March – there is such intensity to that music – and such great brass writing!
Come join Ryan Murray & the MSO on a trip to a galaxy far, far away in Star Wars: The Return of the Jedi in Concert this May 31 & June 1 at the Gallo Center for the Arts!
This article was updated May 20, 2024.
Elizabeth Kidwell was born in Fargo, ND and spent her early years in Evanston, IL where she began studying violin. When graduating high school, she was awarded a coveted scholarship to study in France at Fontainebleau with premier music teacher Nadia Boulanger. After completing her BA in music, Elizabeth moved to California and performed with the Peninsula Symphony where she eventually met her husband, Wayne. Elizabeth first performed with the Modesto Symphony in 1964 and won the MSO’s Young Artist competition in the 1965-66 season. Wayne’s higher education pursuits led them to Illinois for a time and upon returning to California, she regularly performed with the Modesto, Stockton, and Merced symphonies and the Fresno Philharmonic. Elizabeth was in the first violin section of the Modesto Symphony Orchestra and was a cherished member for nearly 50 years and will be greatly missed.
The Modesto Symphony Orchestra is dedicating this weekend’s performances to the memory of Elizabeth Kidwell.
The mysterious history behind Mozart's Requiem is actually quite a simple story. MSO Chorus Director, Dr. Daniel R. Afonso Jr. helps demystify the Requiem's enigmatic past and uncovers the true power behind the music. Hear the works of Mozart and Price performed live by the MSO this May 12 & 13, 2023!
Anthony Parnther, conductor
MSO Chorus; Daniel R. Afonso Jr., chorus director
Since returning to in-person rehearsals and concerts last season, the MSO Chorus has been steadily working on returning to its full power. We’ve enjoyed their performances at our Holiday Pops! and Holiday Candlelight Concerts, but this May will mark the first time they’ve performed in a Classics Series concert since 2019.
We chatted with chorus director, Dr. Daniel R. Afonso Jr. to gain more insight into our beloved chorus and their return to stage with Mozart’s Requiem.
MSO: Can you give our audiences a brief background of Mozart’s Requiem?
Daniel Afonso, chorus director: Mozart’s Requiem is certainly one of the composer’s best known works—and there are certainly plenty of reasons for it. The music itself is beautiful and full of expressive elements that have made the work very popular for centuries, but the Requiem has also been shrouded in mystery and the subject of folk tales and much gossip. Everything started with Mozart receiving a commission from a mysterious Viennese patron to write a Requiem for his wife—the patron wanted to remain anonymous, sent a messenger to talk to Mozart. To complicate things further, the composer died (at age 35!) while working on this music and before being able to complete the full work. Although we now know much more about the origins of the Requiem, these “tales” and conflicting stories about the work continue to feed audiences and performers with some extra “drama” that adds to the work’s overall appeal.
Another element that contributed to Mozart’s Requiem popularity was the highly fictionalized movie about the composer’s life that came out in 1984, Milos Forman’s Amadeus. It was while watching the movie that I learned about the Requiem and fell in love with it. Later, in 2012, I had one of the highlights of my music career when I had the privilege of conducting the CSUS Chamber Singers and members of the MSO Chorus in a performance of Requiem at Lincoln Center, in New York City.
MSO: There are many iconic sections to the Requiem, like the “Dies irae” and the “Lacrimosa.” What about these sections of the Mozart Requiem do you think audiences will find most exciting to hear or see performed live?
DA: Yes, these two movements do have the most recognizable music of this entire work. And I believe this is due to Mozart’s ability to write music that perfectly depicts the character and meaning of the text. These two movements are part of a larger section of the Requiem called “Sequence” that describes the “judgment day.” The Dies irae begins this section and the Lacrimosa ends it. In the Dies irae, the words describe judgment day as a “day of wrath” when the world will “dissolve in ashes.” And in the Lacrimosa, the words depict a “tearful day” when “the guilty man will rise from the ashes to be judged.” These are powerful and colorful images that Mozart expertly matches to equally powerful and ingenuously constructed musical ideas. The result is music that is both beautiful and expressive, full of different colors and musical elements that at the same time intrigue and fascinate the listener.
MSO: You’ve been the MSO chorus director since its foundation in 2001, what has it been like working with a diverse group of singers for over 20 years?
DA: I absolutely love working with the MSO Chorus! And the diversity in the group’s membership is one of the most interesting aspects of the work to me. We have singers of all levels of ability and musical experience in the group. We have experienced choral singers and some who have music degrees (music teachers, music ministers, etc.). We also have many singers who don’t read music and some who had never been part of a choir before. The power of collective singing comes exactly from that: different people working together with a common goal, helping each other to overcome any challenges and difficulties during the process. And every time the chorus performs, we are reminded of the importance of working together as a cohesive community, and how music can be a powerful tool to bring people together. Now, add to that learning and performing some of the most exciting music ever written for choir and orchestra, and you have the full picture of how wonderful my job is!
Join the MSO Chorus as they perform Mozart Requiem live this May 12 & 13, 2023 at the Gallo Center for the Arts!
Anthony Parnther, conductor
MSO Chorus; Daniel R. Afonso Jr., chorus director
Florence Price, composer
Florence Beatrice Smith was born on April 9, 1887, in Little Rock, Arkansas. Her father was the only African American dentist in the city and her mother was a music teacher, who provided Florence with her earliest musical training. Florence proved to be highly talented, giving her first piano performance at the age of four, and publishing her first composition at the age of 11. In 1902, at the age of 15, she enrolled in the New England Conservatory of Music in Boston, Massachusetts, and was the only one of 2,000 students to pursue a double major in organ and piano. She graduated with honors four years later with a teaching certificate and an artist diploma in organ performance.
Maude Roberts George, arts administrator
1910 marked the beginning of a new chapter for Florence where she began her teaching career in Atlanta, Georgia before eventually settling in Little Rock after marrying Thomas J. Price and having two children. Increasing racial tensions in the South led the Prices to leave Little Rock and settle north in Chicago. It was here that Florence’s composition career began to take off. In 1928, she published four compositions for piano while studying with Chicago’s leading composition and organ teachers. In 1933, Maude Roberts George, an advocate for the Arts, especially for those underrepresented, paid $250 (the modern-day equivalent of $5,093 ) for Price’s Symphony No. 1 to be performed by the Chicago Symphony Orchestra as a part of the Chicago World’s Fair. This made Florence Price the first Black woman to have her music performed by a major U.S. orchestra. Price’s unique style began to appear in 1938 with the completion of her third symphony. In traditional Romantic fashion, Price’s Symphony No. 3 has four movements. From the beginning of the piece, Price’s modernism shines through with a slow introduction that leads into a turbulent main theme. As the second movement starts, the influence of Black music comes front and center as jazz and blues themes take over in the solo trombone. The third movement continues to celebrate the blues, while introducing a Juba, an African American dance style created by those who were enslaved in the Deep South with specific origins being linked to Charleston, South Carolina. It’s a dance involving stomps and claps and eventually influenced future styles of music and dance in popular culture, such as modern tap dancing, and rhythm and blues singers which eventually influenced rock musicians. In the symphony’s final movement, the African American styles and classical music influences collide, providing joyous energy.
Over her lifetime, Florence Price composed over 300 works in a variety of genres, including symphonies, choral works, pieces for piano and organ, and many others. She passed away in 1953 at the age of 66. In a time when classical music was largely based on European traditional practices, Price’s compositions were distinctly American and celebrations of her heritage that incorporated Black spirituals and folk traditions. Florence Price was a pioneer in classical music not only for her gender but also for her race. Her legacy brought a new narrative and voice forward that was largely overlooked.
Join us as the MSO performs Florence Price’s Symphony No. on May 12 & 13 alongside the monumental Mozart Requiem.
Come hear Florence Price’s Symphony No. 3 alongside Mozart’s Requiem, conducted by Anthony Parnther, this May 12th & 13th at the Gallo Center for the Arts!
Anthony Parnther, conductor
MSO Chorus; Daniel R. Afonso Jr., chorus director
Learn more about Price (Reference):“Florence Price.” Wikipedia. Wikimedia Foundation, April 7, 2023.
https://en.wikipedia.org/wiki/Florence_Price#Biography. Ege, Samantha. “Composing a Symphonist: Florence Price and the Hand of Black Women's Fellowship.” Women and Music: A Journal of Gender and Culture. University of Nebraska Press, August 13, 2020. https://muse.jhu.edu/article/762310. “Symphony No. 3 in C Minor (Florence Price).” LA Phil. Accessed April 7, 2023. https://www.laphil.com/musicdb/pieces/6500/symphony-no-3-in-c-minor. “The Story behind: Price's Symphony No.3.” Rhode Island Philharmonic Orchestra & Music School. Accessed April 7, 2023. https://www.riphil.org/blog/the-story-behind-price-s-symphony-no-3. “Juba Dance.” Wikipedia. Wikimedia Foundation, February 14, 2023. https://en.wikipedia.org/wiki/Juba_dance Broadway star, Ryan Silverman (Chicago, Phantom of the Opera), who last performed with the MSO in 2019, swings back into town this March 17th to croon your favorite jazz standards!
Hear the Great American Songbook performed live by the MSO this March 17, 2023!
Ryan Murray, conductor
Ryan Silverman, guest vocalist
Have you ever heard of The Great American Songbook? Even if you're not familiar with the name, you certainly have heard the classic pop songs that make up the genre. Join Principal Pops Conductor Ryan Murray as he explains why The Great American Songbook is considered to be "America's Classical Music."
Hear The Great American Songbook performed live by the MSO this March 17, 2023!
Ryan Murray, conductor
Ryan Silverman, guest vocalist
Don't miss the "soul-shaking beauty and heart-racing excitement" of Barber's Violin Concert performed by violinist Simone Porter this February 10th & 11th!
Andrew Grams will conduct the MSO for the Barber & Brahms concerts with a program that will take our audiences on an emotional journey of love, loss, and the beauty of life. We’re also excited to have violinist Simone Porter to share her amazing energy and beautiful tone in Samuel Barber’s beloved Violin Concerto. The concert will conclude with Brahms’ Second Symphony, which will leave our audiences full of optimism.
Hear the works of Brouwer, Barber, and Brahms performed live by the MSO this February 10 & 11, 2023!
Andrew Grams, conductor
Simone Porter, violin
Now through the February, the MSO is celebrating our music education programs that provide the fundamentals of fostering the next generation of community leaders and builders. You can help support our community’s youth by giving today!
The MSO offers a limited amount of home stays for our musicians to help relieve the cost of finding lodging for our concerts. Support the MSO by opening up your home to one of our orchestra musicians! We welcome all interested to contact us, homes outside of Modesto are welcome too!
If you’re interested or want to learn more about this program click the link below:
Guest conductor Andrew Grams explores how music can tug at one's heartstrings in a way no other type of communication can.
Grams will conduct the MSO for the Barber & Brahms concerts with a program that will take our audiences on an emotional journey of love, loss, and the beauty of life. We’re also excited to have violinist Simone Porter to share her amazing energy and beautiful tone in Samuel Barber’s beloved Violin Concerto. The concert will conclude with Brahms’ Second Symphony, which will leave our audiences full of optimism.
Hear the works of Brouwer, Barber, and Brahms performed live by the MSO this February 10 & 11, 2023!
Andrew Grams, conductor
Simone Porter, violin
Guest conductor Nicholas Hersh explores the great mysteries of life and death through the works of Schubert, Rachmaninoff, and Sibelius.
Hersh will lead the MSO for the Rachmaninoff & Sibelius concerts. This program gives us the opportunity to hear Hersh’s arrangement of the second movement of Schubert’s famous string quartet, Death and the Maiden. Then pianist George Li will be featured on Rachmaninoff’s Rhapsody on a Theme of Paganini and the program will finish with Sibelius’ Symphony No. 5. This breathtaking beauty captures 16 soaring swans when the strings mimic the fluttering of wings and a glorious, arching theme played by the French horns.
Hear the works of Schubert, Rachmaninoff, and Sibelius performed live by the MSO this November 11th & 12th, 2022!
Nicholas Hersh, conductor
Branford Marsalis, saxophone
Upcoming this October 21 & 22, internationally recognized pianist, Gabriela Martinez returns to Modesto to perform Gershwin’s Rhapsody in Blue alongside your Modesto Symphony Orchestra. Excited to have her back on the Gallo Center stage with us, we were able to catch up with what she has been up to since last performing with the MSO in 2018.
MSO: We’re so excited to have you back in Modesto performing Gershwin’s Rhapsody in Blue! Are there any specific emotions you feel while performing Rhapsody in Blue? What sort of imagery comes to mind?
Gabriela Martinez: Rhapsody in Blue is one of my favorite concertos to perform. It’s a truly magical piece where we see a world of “classical” music infused with unique jazz flavors. It is really an exciting piece to play as we get to experience a world of incredible contrasts – musical, texture, style, and color. We live through a wide range of emotions. There are amazing rhythmic solos, as well as lush inspired melodic orchestral sections.
MSO: Last time you visited us was in April 2018, performing Manuel de Falla’s Nights in the Gardens of Spain. What are you most excited about performing with the Modesto Symphony again?
GM: I am so looking forward to being back in Modesto! I loved my time in Modesto and really enjoyed playing with such an amazing orchestra! I am excited to play with them again and to meet with Maestro Dragon – his reputation precedes him. He is wonderful, and I am thrilled to work with him!
One unforgettable story about my last visit to Modesto -- while playing the last lyrical solo piano passage of the Falla… THE LIGHTS WENT OUT AT THE GALLO CENTER!!! The whole concert hall was pitch black. (The power went out in the whole block, and the generator kicked in what must have been seconds, but felt like minutes on stage…) I have been performing concertos since I was 5 years old, and that was a first for me. Instinctively, I just kept going… and it’s a moment I will cherish forever! The comradery in those moments between audience, conductor, orchestra while navigating uncharted territory together before the power returned is something I will never forget.
MSO: Will you have any leisure time while in Northern California? Do you have any fun plans while being here?
GM: California is one of my favorite places on the planet. There’s never enough time to explore! It’s been a few years since I was in Modesto though. Would love to hear any recommendations of places to see, places to eat, have coffee… find me on Instagram @gabrielapiano
MSO: Any upcoming performances/projects are you looking forward to?
GM: I am really excited about my project, a recital program called RESONANCES which I am performing this season. RESONANCES is a journey that invites us to explore the echoes within us; to explore the search and inspiration that happens beneath the surface. It explores music from Brazil, Venezuela as well as new pieces by Caroline Shaw, Sarah Kirkland Snider, Viet Cuong and Missy Mazzoli.
Come watch Gabriela perform Gershwin’s Rhapsody in Blue this October 21 & 22 at the Gallo Center for the Arts!
Christopher Dragon, conductor
Gabriela Martinez, piano
To celebrate the "American Sound," guest conductor Christopher Dragon digs into the rediscovery of
Florence Price's long lost work and her rich legacy. Florence Price holds a significant place in American history as the first Black female American composer to have her symphony performed by a major symphony orchestra. However, her some of her work, including Concert Overture No.2, laid dormant for over 50 years in an abandoned home she once lived in until it was rediscovered in 2009 and brought back into the spotlight. Price's Concert Overture No. 2 reflects the expressive and distinctive sounds of Negro traditions, particularly the spirituals, ragtime, and folkdance rhythms whose origins trace back to Africa. This overture features the spirituals “Go Down, Moses,” “Nobody Knows the Trouble I’ve Seen,” and “Every Time I Feel the Spirit.”
Hear Price's Concert Overture No. 2 performed live by the MSO this October 21st & 22nd, 2022!
Christopher Dragon, conductor
Gabriela Martinez, piano
Come join Ryan Murray & the MSO on a trip to a galaxy far, far away in Star Wars: A New Hope in Concert this June 3 & 4 at the Gallo Center for the Arts!
This June 3rd & 4th, the Modesto Symphony Orchestra travels to a galaxy far, far away when we perform Star Wars: A New Hope in Concert, live to film!
Previously MSO Associate Conductor Ryan Murray has conducted our past two film concerts: Pirates of the Caribbean in 2019, and Pixar in Concert in 2020. This time, he will be leading 81 musicians in perfect time as Star Wars: A New Hope plays on a 26’ x 16’ screen (the equivalent of 36 60” TVs!) at the Gallo Center for the Arts. An impressive feat that is a result of only 5 total hours of rehearsal time together!
Read on as we interview Ryan for an exclusive look behind the stage to see what goes into preparing for a unique concert like this.
MSO: How long does it take for you to prepare for a movie concert and is there any difference compared to preparing for a standard classics or other pops concerts?
Ryan Murray, conductor: It takes anywhere between four to six months to prepare for a movie concert and there are some major differences in how you prepare for these concerts compared to a standard classics or pops concert. The major difference in getting ready for one of these concerts is memorizing and internalizing the tempos of the original movie. Unlike in a traditional concert where the interpretation can vary from orchestra to orchestra and conductor to conductor, in the movie concerts you must play exactly in time with the film! And while I have a special screen in front of me with something called punches and streamers on it to help me line up with the film, the orchestra does not have that information, so it’s my job to really know the score inside and out so that we can make sure everything lines up just right!
Conductor Ryan Murray at the podium, with screen that provides film information in real-time.
MSO: Could you explain the how you use the screen in front of you to help line the orchestra up with what is on the big screen?
RM: Sure, while I’m conducting I have a click track and a special screen in front of me that I use to line everything up with the film. The orchestra does not have that information, so it is really the conductor’s job to make sure that all the tempos line up exactly with the film. Once the movie starts there is no margin for error, and we all must work very hard to make everything match! It is actually a very fun challenge and keeps you on your toes as a conductor!
MSO: Movie concerts are popular among audiences not only because hearing the music live is thrilling, but because the movies tend to be nostalgic for most of us. Does the nostalgia or being a fan of the movie, have an impact on you when you’re prepping or when rehearsing?
RM: There is a big nostalgia element when it comes to preparing a movie concert—especially Star Wars. I can’t think of any music that is more iconic than those opening few minutes of the score. I think we are all really excited about this music and for so many musicians we grew up loving this score—so to put it all together with the live movie and our fantastic audience it’s very exciting!
Conductor Ryan Murray leading the MSO in Pirates of the Carribean: The Curse of The Black Pearl, March 2019
MSO: What do you think makes this John Williams’ score is so iconic?
RM: To me John Williams’ music is so dramatic and the way he writes for the orchestra is absolutely brilliant. The score is full of wonderful melodies and much like an opera, each main character has their own theme. These themes are then developed and transformed throughout the film to help us understand the emotions and the drama of the scene and this element of the movie becomes even more powerful with a live orchestra on stage!
MSO: Are you a Star Wars fan and if so, what is your favorite Star Wars movie?
RM: Yes, definitely a Star Wars fan! I would say my favorite Star Wars movie is either A New Hope—which we are performing, or the Return of the Jedi. Although I didn’t know it at the time, because I didn’t start studying music until high school, I’m sure the symphonic score was one of the major things that made me such a fan of these movies!
Come join Ryan Murray & the MSO on a trip to a galaxy far, far away in Star Wars: A New Hope in Concert this June 3 & 4 at the Gallo Center for the Arts!
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