2023-24 Season

Nicholas Hersh, Music Director

American conductor Nicholas Hersh has earned critical acclaim for his innovative programming and natural ability to connect with musicians and audiences alike.

In the 2023-24 season, Hersh returns to the National, Houston, Baltimore, Colorado, and New Jersey Symphonies, while making debuts with the Springfield Symphony and Wintergreen Festival. Recent include engagements with the Detroit, Grand Rapids, New World, North Carolina, Phoenix, Portland (ME), Richmond, Tucson, Utah, and Winston-Salem symphony orchestras, Louisiana and Rochester Philharmonics, and the Florida and Sarasota Orchestras.

Over a remarkable tenure as Associate Conductor of the Baltimore Symphony Orchestra, Hersh created the BSO Pulse series, through which he brought together indie bands and orchestral musicians in unique collaborations; he led the BSO in several subscription weeks, and concerts in and around Baltimore; and he directed the BSO’s educational and family programming, including the celebrated Academy for adult amateur musicians. Hersh also maintains a close relationship with the National Symphony Orchestra, leading concerts throughout Washington, D.C. He stepped in to replace an indisposed Yan Pascal Tortelier, on subscription, to great acclaim.

Hersh is frequently in demand as an arranger and orchestrator, with commissions from orchestras around the globe for adaptations of everything from classical solo and chamber music to popular songs. His orchestration of Beethoven’s Cello Sonata Op. 69 was premiered by the Philharmonie Zuidnederland in January 2022, while his symphonic arrangement of Queen’s Bohemian Rhapsody continues to see worldwide success as a viral YouTube hit. He also serves as arranger and editor for the James P. Johnson Orchestra Edition.

Hersh grew up in Evanston, Illinois and started his musical training as a cellist. He earned a Bachelor’s Degree in Music from Stanford University and a Master’s Degree in Conducting from the Indiana University Jacobs School of Music. Hersh is also a two-time recipient of the Solti Foundation Career Assistance Award. Nicholas lives in Philadelphia with his wife Caitlin and their two cats, and in his free time enjoys baking (and eating) sourdough bread.



Upcoming Performances

Alex Boyer, tenor

Tenor ALEX BOYER is steadily gaining recognition for his commanding voice and dramatic portrayals of the lyric and spinto tenor repertoire. Hailed by the San Francisco Chronicle for Festival Opera’s production of Pagliacci, Boyer “mustered a large, potent sound that brought a welcome measure of anguish and dark menace to the role of Canio; his delivery of the famous showpiece ‘Vesti la giubba’ lacked nothing in the way of grit and vocal power.”

Most recently, he has been seen as Tichon in Janáček's Káťa Kabanová with West Edge Opera, Cassio in Otello and Cavaradossi in Tosca with Livermore Valley Opera, Cavaradossi with Hawaii Opera Theatre and as Captain Ahab in Jake Heggie's Moby Dick with Chicago Opera Theater. 

Other engagements include covering the roles of Ruggero in La Rondine with the Metropolitan Opera; Pollione in Norma, Pinkerton in Madama Butterfly, and Ahab in Moby Dick with the Dallas Opera; performing the roles of the Abbot in Andrea Chénier and Remendado in Carmen with San Francisco Opera; Rodolfo in La bohème and the Duke of Mantua in Rigoletto with Island City Opera; Marcello in Leoncavallo's La bohème and Alwa in Lulu in the acclaimed West Edge Opera production. 

He is an alumnus of the Merola Opera Program and the Santa Fe Opera Apprentice Program for Singers.



Upcoming Performances

Kindra Scharich, mezzo-soprano

Mezzo-soprano Kindra Scharich has been praised by the San Francisco Chronicle for her “fearless technical precision,” “deep-rooted pathos” and “irrepressible musical splendor.” As a dedicated recitalist, she has performed more than 250 art songs in 15 languages, and enjoys the full complement of recital, concert and opera engagements alike.

Ms. Scharich has sung more than 40 roles from Monteverdi to Philip Glass, and has been engaged in a number of premières and new works, including: John Adam’s Antony & Cleopatra (San Francisco Opera), Bright Sheng’s Dream of the Red Chamber (San Francisco Opera), Laura Kaminsky’s Today it Rains (Opera Parallèle), and Missy Mazzoli’s Breaking the Waves (West Edge Opera, west coast première). Scharich’s recordings include: In meinem Himmel: The Mahler Song Cycles, with the Alexander String Quarter (2018), Everyone SangL Vocal Music of David Conte (2018), To my Distant Beloved, with pianist Jeffrey LaDeur (2020), Nepomuceno Overseas, with pianist Ricardo Ballestero (2021) and To the Western Sea: Remembering Ursula K. Le Guin (2021).



Upcoming Performances

Georgiana Adams, soprano

American soprano, Georgiana Adams is an artist committed to passionate and esteemed musical storytelling. This season she will debut as a featured vocal soloist with San Francisco Ballet in a program entitled Mere Mortals and will join the Modesto Symphony for Beethoven’s Ninth Symphony.

A first-year Adler Fellow with the San Francisco Opera, she participated in the 2023 Merola Opera Program, singing Anna in scenes of Kevin Puts’ Silent Night in the Schwabacher Summer Concert, covering the role of Female Chorus in the Rape of Lucretia, and performing operatic scenes of Wagner and Mozart with the San Francisco Opera Orchestra on the Merola Grand Finale Concert.

 A recent graduate of the Juilliard School, Adams earned her master’s degree in music in the spring of 2023 and was awarded the Stephen Novick Grant for Career Advancement. During the 2022-2023 season, Adams made her Alice Tully Hall debut singing songs of Respighi, and made her role debut as Donna Anna in Mozart’s Don Giovanni with Chautauqua Opera Conservatory. With the Julliard Opera Theater, she performed the roles of Littler Sister in Missy Mazzoli’s Proving Up, Ciesca in Puccini’s Gianni Schicchi, and covered the titular role in Suor Angelica. Other roles include Countess Almaviva in Le Nozze di Figaro, Lady Billows in Britten’s Albert Herring, and the Dewfairy in Hansel and Gretel.

Adams is a proud winner of the San Francisco District of the 2024 Metropolitan Opera’s Laffont Competition and was the winner of the 2020 Casa Italia Vocal Competition in her hometown of Chicago, Illinois.



Upcoming Performances

Matt Boehler, bass

Hailed as “a bass with an attitude and the goods to back it up,” by The New York Times and praised by the San Francisco Classical Voice for music that “harnesses considerable expressive power,” bass and composer Matt Boehler is known in the world of opera for his captivating, dynamic performances and his long-earned reputation as an inventive collaborative artist.

Matt’s calendar over the past several years has included engagements at some of classical music’s most prestigious venues. He has sung at The Metropolitan Opera in both Iolanta and The NoseThéâtre Royal de La Monnaie in DaphneCanadian Opera Company in The Magic Flute, and Santa Fe Opera in the world premiere of The Lord of Cries (Corigliano/Adamo).

During the 2023-2024 season, the bass will sing Frére Laurent in Toledo Opera’s production of Roméo et Juliette, as well as Gounod’s St. Cecilia Mass in La Crosse, Wisconsin. 2022-2023 saw Boehler’s role debut as Figaro in Madison Opera’s Le nozze di Figaro and returns to Madison Symphony for Beethoven’s 9th SymphonyNational Symphony Orchestra for Bernstein’s Mass and Des Moines Metro Opera for The Love for Three Oranges and The Falling and the Rising (Redler/Dye). He also reprised the role of Van Helsing for the studio recording of The Lord of Cries with the GRAMMY-winning Boston Modern Orchestra Project. During the 2021-2022 season, Matt made his Florida Grand Opera debut in Rigoletto, debuted with Austin Opera in Fidelio, and returned to Des Moines Metro Opera for A Midsummer Night’s Dream.

A frequent collaborator in contemporary opera, Matt has premiered roles in Becoming Santa Claus (Adamo) with Dallas Opera and Chicago Opera Theater, Acquanetta (Gordon/Artman) with Prototype Festival, and Elizabeth Cree (Puts/Campbell) with Opera Philadelphia, among several others.
Recent seasons have displayed Matt’s versatility in a great array of repertoire, from Osmin in The Abduction from the Seraglio with Lyric Opera of Kansas City to Il Cieco in Iris with Bard Summerscape and Rocco in Fidelio with Madison Opera. He has been met with acclaim as Méphistophélès with Michigan Opera Theater (now Detroit Opera) and as Osmin with Des Moines Metro Opera, as well as the Hotel Manager in Powder Her Face with New York City Opera and Festival Opéra de Quèbec. He made his role debut as Baron Ochs in Der Rosenkavalier with Victory Hall Opera, where he is an ensemble member as both singer and composer. While an ensemble member at Theater St. Gallen in Switzerland, Matt excelled in staples of the bass repertoire like Leporello in Don Giovanni and Daland in Der fliegende Holländer, while embracing rarities such as Baldassare in Donizetti’s La favorita and Catalani’s La Wally

Equally at home on the concert stage, he has appeared as soloist with the New York PhilharmonicAmerican Symphony OrchestraBaltimore Symphony OrchestraChicago Symphony Orchestra, the National Cathedral in Washington, D.C.Orpheus Chamber OrchestraMinnesota OrchestraJacksonville SymphonyPortland Baroque Orchestra, and Oratorio Society of New York. In recital, he has been seen in several critically acclaimed performances with the New York Festival of Song and has concertized at the Spoleto Festival USA and with the Lotte Lehmann Foundation. His discography reflects his enthusiasm for new music and includes recordings of several world premieres by John Musto, William Bolcom and Michael Dellaira, as well as being featured on albums of song by Stefan Wolpe and David Conte.

Hailing from Minneapolis, Minnesota, Matt now proudly claims the San Francisco Bay Area as his home. He trained as an actor at Viterbo College, an opera singer at the Juilliard School, and as a composer at the San Francisco Conservatory of Music



Upcoming Performances

Robert Patterson, clarinet

Rob is Assistant Professor of Clarinet at Boston University's School of Music, founder of the online program The Clarinet Sessions, and Acting Principal Clarinet of the Modesto Symphony Orchestra. A passionate educator, Rob is on the faculty for Aria International Summer Academy and is a frequent coach with the Boston Youth Symphony Orchestra. Rob has been a guest instructor at the Curtis Institute of Music and at Rice University’s Shepherd School of Music.

Recent masterclass invitations have included the San Francisco Conservatory, Indiana University, University of California Los Angeles, University of Cincinnati College-Conservatory of Music, Peabody Institute, University of North Texas, University of Toronto, Grieg Academy (Norway), Sibelius Academy (Finland), and Royal College of Music (Sweden). Rob has served on the faculty at the University of Virginia, where he was featured in recital and as soloist with the Charlottesville Symphony.

Rob has served as Acting Principal Clarinet with the Baltimore and Louisville Orchestras as well as Principal Clarinet with the Charlottesville Symphony and Lyrique-en-Mer Festival Orchestra in France. Additionally, he has served as guest Principal Clarinet for the orchestras of Albany, Chautauqua, Cincinnati, Richmond, Huntsville, Modesto, Pasadena, Peoria, as well as the Baltimore Chamber Orchestra and Cincinnati Pops Orchestra.

Rob’s chamber music performances have taken him across North and South America, Europe and Asia. He has performed contemporary music as a member of the VERGE Ensemble in Washington, DC, with the San Francisco Contemporary Players, and was previously a member of the Philadelphia-based Ensemble 39, which was also invited to serve in residence at the Teatro del Lago in Frutillar, Chile.

Mr. Patterson has been the featured soloist in Copland’s Clarinet Concerto with the Baltimore Chamber Orchestra and the Charlottesville Symphony as well as the Mozart Clarinet Concerto with the Lyrique-En-Mer (Le Palais, France) Orchestra, Binghamton Philharmonic, Middletown Symphony Orchestra, and the Howard County (Maryland) Concert Players. As a former Strathmore Music Center Artist in Residence, Mr. Patterson presented a series of solo recitals, masterclasses, educational concerts, and a recital at the John F. Kennedy Center for the Performing Arts, including the World-Premiere of John B Hedges’ Three Pieces for Solo Clarinet.

Festival appearances include Moab, Mendocino, Festival Napa Valley, The Peninsula Music Festival, Bravo! Vail, Festival Lyrique-En-Mer, Garth Newel Music Center, Music from Angel Fire, and the Yellow Barn Music Festival.

Hailing from Cincinnati, OH, Mr. Patterson earned degrees from the Curtis Institute of Music and the University of Southern California. His principal teachers were Yehuda Gilad, Richard Hawley, and Donald Montanaro.

Mr. Patterson is proud to be a D'Addario and Buffet-Crampon performing artist.

Please visit www.robwpatterson.com for more information.



Upcoming Performances

Tai Murray, violin

Described as “superb” by The New York Times, violinist Tai Murray has established herself a musical voice of a generation.“Technically flawless… vivacious and scintillating… It is without doubt that Murray’s style of playing is more mature than that of many seasoned players… “ (Muso Magazine)

Appreciated for her elegance and effortless ability, Murray creates a special bond with listeners through her personal phrasing and subtle sweetness. Her programming reveals musical intelligence. Her sound, sophisticated bowing and choice of vibrato, remind us of her musical background and influences, principally, Yuval Yaron (a student of Gingold & Heifetz) and Franco Gulli. Winner of an Avery Fisher Career Grant in 2004, Tai Murray was named a BBC New Generation Artist (2008 through 2010). As a chamber musician, she was a member of Lincoln Center’s Chamber Music Society II (2004-2006).

She has performed as guest soloist on the main stages world-wide, performing with leading ensembles such as the Indianapolis Symphony Orchestra, Royal Liverpool Symphony Orchestra, and all of the BBC Symphony Orchestras. She is also a dedicated advocate of contemporary works (written for the violin). Among others, she performed the world premiere of Malcolm Hayes’ violin concerto at the BBC PROMS, in the Royal Albert Hall.

As a recitalist Tai Murray has visited many of the world’s capitals having appeared in Berlin, Chicago, Hamburg, London, Madrid, New York’s Carnegie Hall, Paris and Washington D.C., among many others.

Tai Murray’s critically acclaimed debut recording for harmonia mundi of Ysaye’s six sonatas for solo violin was released in February 2012. Her second recording with works by American Composers of the 20th Century was released by the Berlin-based label eaSonus and her third disc with the Bernstein Serenade on the French label mirare.
Tai Murray plays a violin by Tomaso Balestrieri fecit Mantua ca. 1765, on generous loan from a private collection.

Murray is an Assistant Professor, Adjunct, of violin at the Yale School of Music, where she teaches applied violin and coaches chamber music. She earned artist diplomas from Indiana University’s Jacobs School of Music and the Juilliard School.



Upcoming Performances

Ashley Brown, vocalist

Ashley Brown originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.

Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.

Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.



Upcoming Performances

Alessio Bax, piano

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on five continents, not only as a recitalist and chamber musician, but also as a concerto soloist who has appeared with more than 150 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the New York, Boston, Dallas, Cincinnati, Seattle, Sydney, and City of Birmingham Symphony Orchestras, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Fabio Luisi, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden.

Bax constantly explores many facets of his career. He released his eleventh Signum Classics album, Italian Inspirations, whose program was also the vehicle for his solo recital debut at New York’s 92nd Street Y as well as on tour. He recently debuted with the New York Philharmonic Orchestra, playing Schumann Concerto and the Seattle Symphony with Saint-Saëns’ Second Piano Concerto and embarked on a trio tour of Spain with violinist Joshua Bell and cellist Steven Isserlis. Bax and his regular piano duo partner, Lucille Chung, gave recitals at New York’s Lincoln Center and were featured with the St. Louis Symphony and Stéphane Denève. He has also toured extensively with Joshua Bell and presented the complete works of Beethoven for cello and piano with cellist Paul Watkins in New York City.

Bax revisited Mozart’s K. 491 and K. 595 concertos, as heard on Alessio Bax Plays Mozart, for his recent debuts with the Boston and Melbourne Symphonies, both with Sir Andrew Davis, and with the Sydney Symphony, which he led himself from the keyboard. In addition, Bax made his solo recital debut at London’s Wigmore Hall, and give concerts at L.A.’s Disney Hall, Washington’s Kennedy Center, and New York’s Carnegie Hall. As a renowned chamber musician, he recently collaborated with Joshua Bell, Ian Bostridge, Lucille Chung, Steven Isserlis, Daishin Kashimoto, Sergei Nakariakov, Emmanuel Pahud, Lawrence Power, Jean-Guihen Queyras, Paul Watkins and Tabea Zimmermann. Since 2017 he has been the Artistic Director of the Incontri in Terra di Siena Festival, a Summer Music Festival in the Val d’Orcia region of Tuscany. He appears regularly in festivals such as Seattle, Bravo Vail, Salon-de-Provence, Le Pont in Japan, Great Lakes, Verbier, Ravinia and Music@Menlo. In 2009, he was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and the Lincoln Center Award for Emerging Artists.

Bax’s celebrated Signum Classics discography includes Beethoven’s “Hammerklavier” and “Moonlight” Sonatas (a Gramophone “Editor’s Choice”); Beethoven’s “Emperor” Concerto; Bax & Chung, a duo disc with Lucille Chung; Alessio Bax plays Mozart, recorded with London’s Southbank Sinfonia; Alessio Bax: Scriabin & Mussorgsky (named “Recording of the Month … and quite possibly … of the year” by MusicWeb International); Alessio Bax plays Brahms (a Gramophone “Critics’ Choice”); Bach Transcribed; and Rachmaninov: Preludes & Melodies (an American Record Guide “Critics’ Choice 2011”). Recorded for Warner Classics, his Baroque Reflections album was also a Gramophone “Editor’s Choice.” He performed Beethoven’s “Hammerklavier” Sonata for Daniel Barenboim in the PBS-TV documentary Barenboim on Beethoven: Masterclass, available on DVD from EMI.

At the record age of 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. A Steinway artist, he lives in New York City with pianist Lucille Chung and their daughter, Mila. He was invited to join the piano faculty of Boston’s New England Conservatory in the fall of 2019.



Upcoming Performances

Darryl Williams, guest vocalist

Darryl Jovan Williams is the Gold Medalist of the Americans Traditions Savannah Onstage International Soloist Competition. It was this competition that earned Williams a Gold Medal, a Ten Thousand Dollar Grand Prize, and an offer to sing for the Yachting Event for the 1996 Summer Olympics.

Darryl is a celebrated artist around the world. Darryl was invited to tour Eastern Europe as the Choir Director and guest soloist by the late Mr. Michael Brenner, one of Germany’s elite promoters, in the European Tour of Queen Esther Marrow and The Harlem Gospel Singers. His vocal prowess gained him rave reviews and won him the opportunity to perform for Pope (now Saint) John Paul II in Bologna, Italy.

Mr. Williams has toured extensively in the Broadway hit Smokey Joe’s Cafe with the legendary Gladys Knight and was a fixture at Caesars Palace in Las Vegas. Darryl has also created background vocals and sung background for artists such as Gladys Knight, Leslie Gore, Ann Nesby, Louis St. Louis, and Emmy Award winner Dave Pierce and most recently Michael Bublé. His performance and background vocals with Leslie Gore at Fienstein’s was lauded as one of the Top Ten Cabaret Shows in 2009.

A frequent soloist with symphony orchestras, Darryl’s recent and upcoming engagements include performances with Houston Symphony, Seattle Symphony, Baltimore Symphony, Utah Symphony, Chicago Philharmonic, Louisville Orchestra, Allentown Symphony, Chautauqua Symphony, among others.

Darryl has recently been the co-music arranger and vocal arranger for Sir Andrew Lloyd Webber. He was also the vocal arranger for the much-anticipated hit Jesus Christ Superstar Gospel, which won him rave reviews for his portrayal as Judas. Williams was recently a semi-finalist at the world-famous Apollo Theatre. He was most recently seen as the lead in Passing Strange and in a one man show written for him by Broadway legend Mr. Timothy Graphenreed. He is presently touring the world in his own show, The Mind of a Tenor, which has toured on Cruise ships and most recently South Africa.



Upcoming Performances