Anne Akiko Meyers, violin

Anne Akiko Meyers, one of the world’s most esteemed musicians, is a GRAMMY® Award winning violinist, recognized as a muse and champion of many of today’s most important composers. Since her teens, Anne has performed around the world as soloist with leading orchestras, in recital and recorded more than 40 releases, which have become staples of classical music radio and streaming platforms.

Anne has been called “the Wonder Woman of commissioning” by The Strad and worked closely with some of the most important composers of the last half century, including Arvo Pärt (Estonian Lullaby), Einojuhani Rautavaara (Fantasia, his final complete work), John Corigliano (cadenzas for the Beethoven Violin Concerto; Lullaby for Natalie), Arturo Márquez (Fandango), Philip Glass (New Chaconne), Michael Daugherty (Blue Electra) Mason Bates and Adam Schoenberg (violin concertos), Billy Childs, Jakub Ciupiński, Jennifer Higdon, Morten Lauridsen, Wynton Marsalis,  Somei Satoh, Joseph Schwantner, and Eric Whitacre (The Pacific Has No Memory, Seal Lullaby) performing world premieres with the symphony orchestras of Chicago, Dallas, Los Angeles, Nashville, Pittsburgh, San Diego, Seattle, Washington, D.C., Helsinki, Hyogo, Leipzig, London, Lyon, and New Zealand.

Anne’s recording of Fandango, a live performance with Gustavo Dudamel and the LA Philharmonic, received two Latin GRAMMY® Awards: Best Classical Album and Best Contemporary Composition.  Fandango was premiered in 2021 at The Hollywood Bowl, and has been performed over 40 times with 16 different orchestras around the world since.

Fandango World Premiere with Gustavo Dudamel and LA Philharmonic at the Hollywood Bowl (c) Allen Murabayashi

In the 2024-25 season, Anne will premiere Eric Whitacre’s, The Pacific Has No Memory, with the Orpheus Chamber Orchestra at Carnegie Hall and performs with the Cincinnati Symphony, Grant Park Music Festival, Sarasota Symphony, Orquesta Sinfónica de Minería, and Vancouver Symphony. Naxos will release Blue Electra, Michael Daugherty’s Violin Concerto inspired by Amelia Earhart, commissioned by Anne, and recorded with David Alan Miller and the Albany Symphony in April 25′. Platoon releases Beloved, a requiem by Billy Childs, alongside works by Ola Gjeilo and Eric Whitacre, with Grant Gershon and the Los Angeles Master Chorale in May 25′ for Mother’s Day and the Philip Glass Violin Concerto No. 1 with Gustavo Dudamel and the Los Angeles Philharmonic, New Chaconne, a new work written by Philip for Anne, and Echorus with Aubree Oliverson and the Colburn Academy Virtuosi, to be released for Father’s Day, June 25′.

The violinist’s first national television appearances were on The Tonight Show with Johnny Carson, at age 11, followed by performances that include Evening At Pops with John Williams, CBS Sunday Morning, Great Performances, Countdown with Keith Olbermann (in a segment that was the third most popular story of that year), The Emmy Awards, and The View. John Williams chose Anne to perform the theme from Schindler’s List for a Great Performances PBS telecast, and Arvo Pärt invited her to be his guest soloist at the opening ceremony concerts of his new center and concert hall in Estonia.

Krzysztof Penderecki selected Anne to perform the Beethoven Violin Concerto at the 40th Pablo Casals Festival with the Montreal Symphony, which was broadcast on A&E. Her recording of Somei Satoh’s Birds in Warped Time II was used by architect Michael Arad for his award-winning design submission, which today has become The World Trade Center Memorial in lower Manhattan.

Other career highlights include a performance of the Barber Violin Concerto at the Australian Bicentennial Concert for an audience of 750,000 in Sydney Harbour; performances for the Emperor and Empress Akihito of Japan; for Queen Máxima of the Netherlands, in a Museumplein Concert with the Royal Concertgebouw Orchestra; and “The Star-Spangled Banner” at T-Mobile Park in Seattle and Dodger Stadium. She was profiled on NPR’s Morning Edition with Linda Wertheimer and All Things Considered with Robert Siegel, and she curated “Living American” on Sirius XM Radio’s Symphony Hall.

Anne has been featured in commercials and advertising campaigns including Anne Klein, shot by legendary photographer Annie Leibovitz; Northwest Airlines; DDI Japan; and TDK; and was the inspiration for the main character’s career path in the novel The Engagements, by the popular author J. Courtney Sullivan. She collaborated with children’s book author and illustrator Kristine Papillon on Crumpet the Trumpet, appearing as the character Violetta the violinist, and featured in a documentary about legendary radio personality Jim Svejda. Anne has collaborated with a diverse array of artists including jazz icons Chris Botti and Wynton Marsalis; avant-garde musician Ryuichi Sakamoto; electronic music pioneer Isao Tomita;pop-era act Il Divo; and singer, Michael Bolton.

Anne was born in San Diego and grew up in Southern California, where she and her mother traveled eight hours, round trip, from the Mojave Desert to Pasadena for lessons with Alice and Eleonore Schoenfeld at the predecessor of the Colburn School of Performing Arts. Anne moved to New York at the age of 14 to study at The Juilliard School with the legendary violin instructor Dorothy DeLay, and with Masao Kawasaki and Felix Galimir; she signed with management at 16; and recorded her debut album of the Barber and Bruch Violin Concertos with the RPO at Abbey Road Studios at 18. She has received the Avery Fisher Career Grant, Distinguished Alumna Award, and an Honorary Doctorate from The Colburn School. She serves on the Board of Trustees of The Juilliard School, the Dudamel Foundation, was recently honored by the Orpheus Chamber Orchestra and inducted into the Asian Hall of Fame.

Anne performs on Larsen Strings with the Ex-Vieuxtemps Guarneri del Gesù, dated 1741, considered by many to be the finest-sounding violin in existence.

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Website: https://anneakikomeyers.com/

Youtube: https://www.youtube.com/user/anneakikomeyers

Instagram: https://instagram.com/anneakikomeyers/

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Upcoming Performances

Amaryn Olmeda, violin

Winner of first prize and the audience choice award at the 24th Annual Sphinx Competition, violinist Amaryn Olmeda is a rising star sought after for her bold and expressive performances as a soloist and collaborator. Violinist.com says of Olmeda, “…her commanding stage presence, infallible technique, and interpretive ability already rival that of international concert stage veterans.”

“...her commanding stage presence, infallible technique, and interpretive ability already rival that of international concert stage veterans.”

— Violinist.com

Highlights of 2024-2025 include season-opening concerts in debut with the Boulder Philharmonic and the Alabama Symphony, as well as debut performances with the Charlotte Symphony, Albany Symphony, Pacific Symphony, Omaha Symphony, and Sarasota Orchestra. Olmeda will also debut in recital at the Kravis Center’s Young Artists Classical Series in West Palm Beach, FL and the University of Florida Performing Arts in Gainesville, FL.

Olmeda made her Lincoln Center debut during the 2024 Summer for the City Series. She made her Carnegie Hall solo debut on the Sphinx Virtuosi tour at the age of 14, garnering rave reviews. At 13, Olmeda was named the initial member of the San Francisco Conservatory of Music and Opus 3 Artist’s Artist Apprentice Program.

Highlights of previous seasons include debuts as soloist with the Cleveland Orchestra, Houston Symphony, Philadelphia Orchestra, Seattle Symphony, Buffalo Philharmonic, and the San Francisco Chamber Orchestra at their New Year’s Concert Series, earning her a nomination for the San Francisco Classical Voice Audience Choice Awards. Olmeda also performed in recital at the Bouchaine Young Artist Series at Festival Napa Valley as well as at the National Arts Club in New York City.

In 2023, Olmeda made her recording debut as the featured soloist of Carlos Simon’s Between Worlds on the Sphinx Virtuosi’s inaugural recording with Deutsche Grammophon. The Strad Magazine said of Olmeda’s performance, “…it receives an impressive reading here by the young musician [and] she shows why she has garnered the word 'prodigy’.”

Other career highlights include selection as an NPR From the Top Fellow, receiving the National Arts Club’s Herman and Mary Neuman Music Award, being named a Young Artist Soloist by the Seattle Symphony, and being featured in a solo performance with the Sacramento Philharmonic and VITA Academy in the video production, The Extraordinary Life of Joseph Bologne, Chevalier de Saint-Georges. In 2022 Olmeda performed for the San Francisco Conservatory Gala with pianist Yuja Wang. She has performed for numerous school and community outreach events including with the Buffalo Philharmonic, Richmond Symphony, Auburn Symphony, and Oakland Symphony.

Born in Melbourne, Australia in 2008, Olmeda currently studies at the New England Conservatory of Music with Miriam Fried. She previously studied with Ian Swensen at the San Francisco Conservatory of Music. Amaryn Olmeda performs on a violin made by J.B. Vuillaume in 1864.

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Website: https://www.amarynolmeda.com/

Youtube: https://www.youtube.com/@amarynolmeda7872

Instagram: https://www.instagram.com/amarynolmedaviolin/

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Upcoming Performances

Audrey Wright, violin

Audrey Wright is a multifaceted artist across solo, chamber music, and orchestral realms. She joined the New York Philharmonic in 2022 and has been the concertmaster of the Baltimore Chamber Orchestra since 2018. She previously served as associate concertmaster of the Baltimore Symphony Orchestra. Wright has performed across the globe in venues such as Carnegie Hall, Boston Symphony Hall, London’s Royal Albert Hall, Saint Petersburg Philharmonia, and the Vatican, and has been a soloist with the Baltimore Symphony Orchestra, Baltimore Chamber Orchestra, New World Symphony, and Cape Symphony Orchestra. With a passion for innovative programming and juxtaposing a wide range of musical styles, her repertoire spans the early 17th century to the modern day, and her performing experience includes the full spectrum of these musical styles, from period performance practice to the premiering of new and personally commissioned works. Her debut album, Things In Pairs, with pianist Yundu Wang, was released on Navona Records in 2022.

Originally from Cape Cod, Massachusetts, Wright developed a love of ensemble and collaborative playing from a young age. During her high school years, she went on several international tours with youth orchestras in the Boston area, attended the prestigious Walnut Hill School of Performing Arts, and was on the national radio program From the Top. As a recurring participant in the Verbier Festival since 2012, she has performed with the Verbier Festival Orchestra and Verbier Festival Chamber Orchestra, and has been concertmaster under the direction of Gábor Takács-Nagy, Michael Tilson Thomas, Kent Nagano, Iván Fischer, and Charles Dutoit. Wright was a Violin Fellow in the New World Symphony from 2013–14, and a member of the Excelsa Quartet from 2014–16. As the Fellowship String Quartet at the University of Maryland, Excelsa Quartet performed and competed internationally, working closely with members of the Guarneri, Emerson, St. Lawrence, and Juilliard quartets.

Wright has performed on such chamber music series as Meeting House Chamber Music, Jackson Hole Chamber Music, Manchester Summer Chamber Music, Great Lakes Summer Chamber Music Festival, and in many concerts in the mid-Atlantic area, including Chiarina Chamber Players, Community Concerts at Second, Pro Musica Rara, Hood College Chamber Music, and the Smithsonian Chamber Music Society, where she has performed on a number of the exquisite instruments in the Smithsonian Instrument Collection. She has worked closely with musicians Mayron Tsong, Paul Watkins, Roberto González-Monjas, Russell Hartenberger, Roger Tapping, John Heiss, John Gibbons, and Yundu Wang, as well as chamber ensembles such as the Axelrod String Quartet, Borromeo String Quartet, Boston Trio, and NuDeco Ensemble. Having worked extensively with artists across other disciplines, she also regularly collaborates with multidisciplinary artist and husband Geoff Robertson on innovative projects that often incorporate dazzling displays of light and sound.

In addition to performing, Wright is a passionate teacher and chamber music coach, and has developed a specialty in coaching and giving masterclasses on orchestral audition excerpts. In 2020 she released a YouTube series of excerpt tutorial videos that has become a widely used resource for musicians worldwide. She was the Director of the Homewood Chamber Music Seminar at Johns Hopkins University from 2017–18, has coached chamber music at the University of Maryland, and maintains a small studio of private students.

Wright holds bachelor’s and master’s degrees from the New England Conservatory of Music and a doctoral degree from the University of Maryland. Her primary teachers have included David Salness, Lucy Chapman, Bayla Keyes, and Magdalena Richter. She plays on a 1753 J.B. Guadagnini violin generously on loan from the Alsop Trust.

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Website: https://audreywrightviolin.com/

Facebook: https://www.facebook.com/audreywrightviolin

Instagram: https://www.instagram.com/audreywrightviolin

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Upcoming Performances

Tai Murray, violin

Described as “superb” by The New York Times, violinist Tai Murray has established herself a musical voice of a generation.“Technically flawless… vivacious and scintillating… It is without doubt that Murray’s style of playing is more mature than that of many seasoned players… “ (Muso Magazine)

Appreciated for her elegance and effortless ability, Murray creates a special bond with listeners through her personal phrasing and subtle sweetness. Her programming reveals musical intelligence. Her sound, sophisticated bowing and choice of vibrato, remind us of her musical background and influences, principally, Yuval Yaron (a student of Gingold & Heifetz) and Franco Gulli. Winner of an Avery Fisher Career Grant in 2004, Tai Murray was named a BBC New Generation Artist (2008 through 2010). As a chamber musician, she was a member of Lincoln Center’s Chamber Music Society II (2004-2006).

She has performed as guest soloist on the main stages world-wide, performing with leading ensembles such as the Indianapolis Symphony Orchestra, Royal Liverpool Symphony Orchestra, and all of the BBC Symphony Orchestras. She is also a dedicated advocate of contemporary works (written for the violin). Among others, she performed the world premiere of Malcolm Hayes’ violin concerto at the BBC PROMS, in the Royal Albert Hall.

As a recitalist Tai Murray has visited many of the world’s capitals having appeared in Berlin, Chicago, Hamburg, London, Madrid, New York’s Carnegie Hall, Paris and Washington D.C., among many others.

Tai Murray’s critically acclaimed debut recording for harmonia mundi of Ysaye’s six sonatas for solo violin was released in February 2012. Her second recording with works by American Composers of the 20th Century was released by the Berlin-based label eaSonus and her third disc with the Bernstein Serenade on the French label mirare.
Tai Murray plays a violin by Tomaso Balestrieri fecit Mantua ca. 1765, on generous loan from a private collection.

Murray is an Assistant Professor, Adjunct, of violin at the Yale School of Music, where she teaches applied violin and coaches chamber music. She earned artist diplomas from Indiana University’s Jacobs School of Music and the Juilliard School.

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Facebook: https://www.facebook.com/violinsinstyle/

Instagram: https://www.instagram.com/taimurrayviolin/

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Upcoming Performances

Simone Porter, violin

Violinist Simone Porter has been recognized as an emerging artist of impassioned energy, interpretive integrity, and vibrant communication. In the past few years she has debuted with the New York Philharmonic, the Philadelphia Orchestra, the Los Angeles Philharmonic; and with a number of renowned conductors, including Stéphane Denève,

Gustavo Dudamel, Yannick Nézet-Séguin, Nicholas McGegan, Ludovic Morlot, and Donald Runnicles. Born in 1996, Simone made her professional solo debut at age 10 with the Seattle Symphony and her international debut with the Royal Philharmonic Orchestra in London at age 13. In March 2015, Simone was named a recipient of an Avery Fisher Career Grant.

Recent highlights include Mendelssohn with New Jersey Symphony, Brahms with Pacific Symphony and an extensive tour throughout the US including concerts with the Santa Rosa, Amarillo, Pasadena, Fairfax and Midland Symphonies; the Rochester, Westchester, Orlando and Great Bay Philharmonics; the Sarasota Orchestra and the Northwest Sinfonietta. With the cessation of live concerts Simone continued to record streamed events with Seattle, Pittsburgh, Charlotte and Greater Bridgeport Symphonies. Beginning with the Aspen festival where she is a frequent guest, in July 2021 she resumed a full season of orchestral and recital concerts to include Denver, North Carolina, St. Louis, Grand Rapids, Quebec, Sarasota, Bakersfield, Princeton and Monterey Symphonies and recitals including Boston where the program includes the world premiere of a commission from composer Reena Esmail.

At the invitation of Esa-Pekka Salonen, Simone performed his work ‘Lachen verlernt’ (‘Laughing Unlearnt’), at the New York Philharmonic’s “Foreign Bodies,” a multi-sensory celebration of the work of the composer and conductor. In recent seasons, she has also appeared at the Edinburgh Festival performing Barber under the direction of Stéphane Denève, and at the Mostly Mozart Festival performing Mozart under Louis Langrée. She has also performed with the Los Angeles Philharmonic at the Hollywood Bowl with both Nicholas McGegan and Ludovic Morlot, and at Walt Disney Concert Hall with Gustavo Dudamel.

Internationally, Simone has performed with the Simón Bolívar Symphony Orchestra with Gustavo Dudamel; the Orquestra Sinfônica Brasileira in Rio de Janeiro; the National Symphony Orchestra of Costa Rica; the City Chamber Orchestra of Hong Kong; the Royal Northern Sinfonia; the Milton Keynes City Orchestra in the United Kingdom; and the Opera de Marseilles.

Simone made her Carnegie Zankel Hall debut on the Emmy Award-winning TV show From the Top: Live from Carnegie Hall followed in November 2016 by her debut in Stern Auditorium. In June 2016, her featured performance of music from Schindler’s List with Maestro Gustavo Dudamel and members of the American Youth Symphony was broadcast nationally on the TNT Network as part of the American Film Institute’s Lifetime Achievement Award: A Tribute to John Williams.

Raised in Seattle, Washington, Simone studied with Margaret Pressley as a recipient of the Dorothy Richard Starling Scholarship, and was then admitted into the studio of the renowned pedagogue Robert Lipsett, with whom she studied at the Colburn Conservatory of Music in Los Angeles. Summer studies have included many years at the Aspen Music Festival, Indiana University's Summer String Academy, and the Schlern International Music Festival in Italy.

Simone Porter performs on a 1740 Carlo Bergonzi violin made in Cremona Italy on generous loan from The Master’s University, Santa Clarita, California.

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Website: https://www.simoneporterviolin.com/

Facebook: https://www.facebook.com/simoneporterviolin/

Instagram: https://www.instagram.com/simoneport/

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Upcoming Performances