artist profile

Meet Denis Harper!

Meet the MSO

Denis Harper, principal oboe

Meet MSO’s principal oboe,
Denis Harper!

As our principal oboe, Denis Harper has been consistently praised for his performances as a musician. His interpretation of Telemann’s Fantasia in A is proof of his superb talent.


Program

Georg Philipp Telemann
Fantasia No. 2 in A Minor


This series is free to all and supported in part by Jeff & Margaret Reed, The Reed Companies and the Reed Foundation. Dates, program, and artists subject to change. E&OE.

If you are experiencing any issues viewing our videos, please visit our FAQ page here or download our FAQ PDF.

Meet Adam Wolf!

Meet the MSO

Adam Wolf, horn

Meet MSO horn,
Adam Wolf!

One of our newest members of the MSO, Adam Wolf brings a brand new spin to a classic Piazzolla piece.


Program

Astor Piazzolla
Tango Etude No. 3

TANGO-ETUDES (6) by Astor Piazzolla © 1987 Copyright Editions Henry Lemoine, Paris.


This series is free to all and supported in part by Jeff & Margaret Reed, The Reed Companies and the Reed Foundation. Dates, program, and artists subject to change. E&OE.

If you are experiencing any issues viewing our videos, please visit our FAQ page here or download our FAQ PDF.

Meet the MSO: A Brand New Series

Meet the MSO!

The Modesto Symphony is switching things up for February by introducing a brand-new YouTube series called “Meet the MSO!” This will be a series of short videos highlighting various members of our orchestra as they perform a solo at home just for you! This month, we’re kicking off this series with Katy Juneau, viola; Denis Harper, principal oboe; and Adam Wolf, horn. Stay tuned and make sure to follow us on YouTube & social media to receive notifications of when we post our videos!

Katy Juneau, viola 

Katy Juneau is a long-time member of the MSO and is also the principal viola of the Fremont Symphony, Lamplighter’s Theater Orchestra, and West Edge Opera Festival. In addition to performing regularly with orchestras and chamber ensembles across Northern California, Katy has been in backup groups accompanying all sorts from Wynton Marsalis, Peidmont Community Church, KISS, Bonnie Raitt, Synchronicity Strings, Storm Large, and Josh Groban to playing in the World Classic Baseball Orchestra on the field at AT&T Park. 

This month, she will be sharing two pieces honoring women composers, Ave generosa by Hildegard von Bingen and Deserted Garden by Florence Price where she will be accompanied by her son, Andrew Green on piano. 

Adam Wolf, horn 

Adam Wolf is one of the MSO’s newer members, having won his seat in 2019. He’s an accomplished horn player and composer and has performed with the LA Philharmonic, San Diego Symphony, Long Beach Symphony, as well as being the Principal Horn for the Redlands Symphony. Adam has also recorded and performed with many music artists and composers including Miley Cyrus, Will.I.Am, Pete Townsend, Billy Idol, John Debney, Arturo Sandoval, Mark Isham, Jeff Russo, Pinar Toprak, and many more. 

This month, he will be performing Tango Etude No. 3 by Astor Piazzolla. 

Denis Harper,
principal oboe 

As our principal oboe, Denis Harper has been consistently praised for his performances a soloist, chamber musician, and orchestral player. In 2014, we featured Denis as a Soloist in the Boccherini & Bach concert where he performed Concerto for Oboe in E minor by Georg Philipp Telemann. 

This month, he will be performing Telemann’s Fantasia No. 2 in A Minor. 


This series is free to all and supported in part by Jeff & Margaret Reed, The Reed Companies and the Reed Foundation. Dates, program, and artists subject to change. E&OE.

If you are experiencing any issues viewing our videos, please visit our FAQ page here or download our FAQ PDF.

Meet the Musician: John Hillebrandt

Our first virtual recital will be with MSO pianist John Hillebrandt on July 22nd. We connected with John to get a bit of insight on the program he’s put together for his recital and to see how he’s been since we last saw him on stage!

MSO: Thank you for doing this interview with us, we’re all excited for your upcoming virtual recital! Let’s start with your background with the MSO. You’ve been with us for 24 years. During that time, we’ve performed a couple of your compositions. Are there any specific performances that are particularly memorable or stand out?

John Hillebrandt: One memory that stands out is from just two years ago when the MSO commissioned my piece, Valley Fever, as part of the Graffiti Festival celebration. It’s always amazing to experience something that starts as a mental idea grow into an organized, written score, and then become realized by a live orchestra and dancers for a live audience. The whole process, including the marketing and collaborating, was tremendous.

MSO: That was a truly unique performance. A concert that featured three commissions focused around the Graffiti Festival and a collaboration with Central West Ballet – all to celebrate Modesto!

What led you to choose the piano as your instrument?

JH: Fate, perhaps. I did play clarinet for a while in elementary school, and I do play organ for church services, but the piano and its repertoire just clicked with my sensibilities and personality, and I’ve never looked back.

MSO: What do you enjoy most about making music with an orchestra?

JH: Pianists typically spend much more time in isolation practicing and working on their solo repertoire, or perhaps small chamber-sized pieces. So to be immersed in the rich and massive textures and sounds of an orchestra is like a whole different world. The professional musicians that I get to work with are amazing and inspiring, and I never get tired of being a part of that incredible experience.

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MSO: We certainly miss hearing you and the rest of the orchestra perform. What have you been doing to pass the time while sheltering in place?

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JH: My wife, Ramona, and I have a daughter who will be four years old in August. Since the shelter in place went into effect, we’ve all been home together most of the time. Having a young child at home 24/7 is a never-ending adventure and journey of imagination and discovery. We do a lot of playing, gardening, swimming, and learning. Thankfully, I was already teaching online through Modesto Junior College, and my church work also migrated to the virtual world, so we’re able to keep the lights on.

MSO: Thinking about your recital now, can you tell us about the Ravel and Chopin pieces you’ve programmed?

JH: Ravel’s Jeux d’eau, which means “Fountains”, is a great image for a hot summer season. It’s a beautiful, sparkling masterpiece by the great French composer—fun to perform and fun to listen to! Ballade No. 4 in F Minor, Op. 52, is one of Chopin’s mature masterpieces. It has everything one associates with Chopin—haunting, lyrical melodies, lush harmonies, and breathtaking pianistic writing.

MSO: You’ve programmed your composition, Nocturne, to end the program. Are there any ties from the Ravel and the Chopin to your Nocturne?

JH: My Nocturne was written in 1990 and is very much in the vein of Chopin, Ravel, Rachmaninoff, and Scriabin—all great Romantic or Impressionist composers whose music can be both poetic, yet often deep and melancholy. This Nocturne explores a twilight world, somewhere between major and minor keys, and is a kind of venture into dreamworlds.

We hope you’ll join us on July 22nd to hear more from John and enjoy our first virtual recital!