Artistic Staff
Ryan Murray
Ryan Murray, Principal Pops Conductor
Ryan Murray, Principal Pops Conductor
Artistic Staff
Bianca Ancheta
Daniel R. Afonso Jr., Chorus Director
Daniel R. Afonso Jr., Chorus Director
Programs
Bianca Ancheta
Modesto Symphony Orchestra Chorus
Modesto Symphony Orchestra Chorus
Guest Artists
Guest User
Alexandra Loutsion, soprano
Alexandra Loutsion, soprano
Guest Artists
Erin Nishimori
Alice Chung, mezzo-soprano
Alice Chung, mezzo-soprano

Matt Boehler, bass

Hailed as “a bass with an attitude and the goods to back it up,” by The New York Times and praised by the San Francisco Classical Voice for music that “harnesses considerable expressive power,” bass and composer Matt Boehler is known in the world of opera for his captivating, dynamic performances and his long-earned reputation as an inventive collaborative artist.

Matt’s calendar over the past several years has included engagements at some of classical music’s most prestigious venues. He has sung at The Metropolitan Opera in both Iolanta and The Nose, Théâtre Royal de La Monnaie in Daphne, Canadian Opera Company in The Magic Flute, and Santa Fe Opera in the world premiere of The Lord of Cries (Corigliano/Adamo).

During the 2023-2024 season, the bass will sing Frére Laurent in Toledo Opera’s production of Roméo et Juliette, as well as Gounod’s St. Cecilia Mass in La Crosse, Wisconsin. 2022-2023 saw Boehler’s role debut as Figaro in Madison Opera’s Le nozze di Figaro and returns to Madison Symphony for Beethoven’s 9th Symphony, National Symphony Orchestra for Bernstein’s Mass and Des Moines Metro Opera for The Love for Three Oranges and The Falling and the Rising (Redler/Dye). He also reprised the role of Van Helsing for the studio recording of The Lord of Cries with the GRAMMY-winning Boston Modern Orchestra Project. During the 2021-2022 season, Matt made his Florida Grand Opera debut in Rigoletto, debuted with Austin Opera in Fidelio, and returned to Des Moines Metro Opera for A Midsummer Night’s Dream.

A frequent collaborator in contemporary opera, Matt has premiered roles in Becoming Santa Claus (Adamo) with Dallas Opera and Chicago Opera Theater, Acquanetta (Gordon/Artman) with Prototype Festival, and Elizabeth Cree (Puts/Campbell) with Opera Philadelphia, among several others.
Recent seasons have displayed Matt’s versatility in a great array of repertoire, from Osmin in The Abduction from the Seraglio with Lyric Opera of Kansas City to Il Cieco in Iris with Bard Summerscape and Rocco in Fidelio with Madison Opera. He has been met with acclaim as Méphistophélès with Michigan Opera Theater (now Detroit Opera) and as Osmin with Des Moines Metro Opera, as well as the Hotel Manager in Powder Her Face with New York City Opera and Festival Opéra de Quèbec. He made his role debut as Baron Ochs in Der Rosenkavalier with Victory Hall Opera, where he is an ensemble member as both singer and composer. While an ensemble member at Theater St. Gallen in Switzerland, Matt excelled in staples of the bass repertoire like Leporello in Don Giovanni and Daland in Der fliegende Holländer, while embracing rarities such as Baldassare in Donizetti’s La favorita and Catalani’s La Wally. 

Equally at home on the concert stage, he has appeared as soloist with the New York Philharmonic, American Symphony Orchestra, Baltimore Symphony Orchestra, Chicago Symphony Orchestra, the National Cathedral in Washington, D.C., Orpheus Chamber Orchestra, Minnesota Orchestra, Jacksonville Symphony, Portland Baroque Orchestra, and Oratorio Society of New York. In recital, he has been seen in several critically acclaimed performances with the New York Festival of Song and has concertized at the Spoleto Festival USA and with the Lotte Lehmann Foundation. His discography reflects his enthusiasm for new music and includes recordings of several world premieres by John Musto, William Bolcom and Michael Dellaira, as well as being featured on albums of song by Stefan Wolpe and David Conte.

Hailing from Minneapolis, Minnesota, Matt now proudly claims the San Francisco Bay Area as his home. He trained as an actor at Viterbo College, an opera singer at the Juilliard School, and as a composer at the San Francisco Conservatory of Music. 

Upcoming Performances

Calendar
May 9 & 10 / Verdi's Requiem
May 9 & 10 / Verdi's Requiem

Nicholas Hersh, conductor
MSO Chorus, Daniel R. Afonso Jr., chorus director
Fri. May 9, 2025 at 7:30pm
Sat. May 10, 2025 at 7:30pm

Robert Patterson, clarinet

Rob is Assistant Professor of Clarinet at Boston University's School of Music, founder of the online program The Clarinet Sessions, and Acting Principal Clarinet of the Modesto Symphony Orchestra. A passionate educator, Rob is on the faculty for Aria International Summer Academy and is a frequent coach with the Boston Youth Symphony Orchestra. Rob has been a guest instructor at the Curtis Institute of Music and at Rice University’s Shepherd School of Music.

Recent masterclass invitations have included the San Francisco Conservatory, Indiana University, University of California Los Angeles, University of Cincinnati College-Conservatory of Music, Peabody Institute, University of North Texas, University of Toronto, Grieg Academy (Norway), Sibelius Academy (Finland), and Royal College of Music (Sweden). Rob has served on the faculty at the University of Virginia, where he was featured in recital and as soloist with the Charlottesville Symphony.

Rob has served as Acting Principal Clarinet with the Baltimore and Louisville Orchestras as well as Principal Clarinet with the Charlottesville Symphony and Lyrique-en-Mer Festival Orchestra in France. Additionally, he has served as guest Principal Clarinet for the orchestras of Albany, Chautauqua, Cincinnati, Richmond, Huntsville, Modesto, Pasadena, Peoria, as well as the Baltimore Chamber Orchestra and Cincinnati Pops Orchestra.

Rob’s chamber music performances have taken him across North and South America, Europe and Asia. He has performed contemporary music as a member of the VERGE Ensemble in Washington, DC, with the San Francisco Contemporary Players, and was previously a member of the Philadelphia-based Ensemble 39, which was also invited to serve in residence at the Teatro del Lago in Frutillar, Chile.

Mr. Patterson has been the featured soloist in Copland’s Clarinet Concerto with the Baltimore Chamber Orchestra and the Charlottesville Symphony as well as the Mozart Clarinet Concerto with the Lyrique-En-Mer (Le Palais, France) Orchestra, Binghamton Philharmonic, Middletown Symphony Orchestra, and the Howard County (Maryland) Concert Players. As a former Strathmore Music Center Artist in Residence, Mr. Patterson presented a series of solo recitals, masterclasses, educational concerts, and a recital at the John F. Kennedy Center for the Performing Arts, including the World-Premiere of John B Hedges’ Three Pieces for Solo Clarinet.

Festival appearances include Moab, Mendocino, Festival Napa Valley, The Peninsula Music Festival, Bravo! Vail, Festival Lyrique-En-Mer, Garth Newel Music Center, Music from Angel Fire, and the Yellow Barn Music Festival.

Hailing from Cincinnati, OH, Mr. Patterson earned degrees from the Curtis Institute of Music and the University of Southern California. His principal teachers were Yehuda Gilad, Richard Hawley, and Donald Montanaro.

Mr. Patterson is proud to be a D'Addario and Buffet-Crampon performing artist.

Please visit www.robwpatterson.com for more information.

Upcoming Performances

Tai Murray, violin

Described as “superb” by The New York Times, violinist Tai Murray has established herself a musical voice of a generation.“Technically flawless… vivacious and scintillating… It is without doubt that Murray’s style of playing is more mature than that of many seasoned players… “ (Muso Magazine)

Appreciated for her elegance and effortless ability, Murray creates a special bond with listeners through her personal phrasing and subtle sweetness. Her programming reveals musical intelligence. Her sound, sophisticated bowing and choice of vibrato, remind us of her musical background and influences, principally, Yuval Yaron (a student of Gingold & Heifetz) and Franco Gulli. Winner of an Avery Fisher Career Grant in 2004, Tai Murray was named a BBC New Generation Artist (2008 through 2010). As a chamber musician, she was a member of Lincoln Center’s Chamber Music Society II (2004-2006).

She has performed as guest soloist on the main stages world-wide, performing with leading ensembles such as the Indianapolis Symphony Orchestra, Royal Liverpool Symphony Orchestra, and all of the BBC Symphony Orchestras. She is also a dedicated advocate of contemporary works (written for the violin). Among others, she performed the world premiere of Malcolm Hayes’ violin concerto at the BBC PROMS, in the Royal Albert Hall.

As a recitalist Tai Murray has visited many of the world’s capitals having appeared in Berlin, Chicago, Hamburg, London, Madrid, New York’s Carnegie Hall, Paris and Washington D.C., among many others.

Tai Murray’s critically acclaimed debut recording for harmonia mundi of Ysaye’s six sonatas for solo violin was released in February 2012. Her second recording with works by American Composers of the 20th Century was released by the Berlin-based label eaSonus and her third disc with the Bernstein Serenade on the French label mirare.
Tai Murray plays a violin by Tomaso Balestrieri fecit Mantua ca. 1765, on generous loan from a private collection.

Murray is an Assistant Professor, Adjunct, of violin at the Yale School of Music, where she teaches applied violin and coaches chamber music. She earned artist diplomas from Indiana University’s Jacobs School of Music and the Juilliard School.

Upcoming Performances

Calendar
April 11 & 12 / Carnival of the Animals
April 11 & 12 / Carnival of the Animals

Daniel Bartholomew-Poyser, conductor
Modesto Symphony Youth Orchestra, side-by-side
Fri. April 11, 2025 at 7:30pm
Sat. April 12, 2025 at 7:30pm

Ashley Brown, vocalist

Ashley Brown originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.

Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.

Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.

Upcoming Performances

Calendar
December 1 & 2 / Holiday Pops!
December 1 & 2 / Holiday Pops!

Ryan Murray, conductor
Ashley Brown, guest vocalist

Fri. Dec. 1, 2023 at 7:30 pm
Sat. Dec. 2, 2023 at 2 pm

Alessio Bax, piano

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on five continents, not only as a recitalist and chamber musician, but also as a concerto soloist who has appeared with more than 150 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the New York, Boston, Dallas, Cincinnati, Seattle, Sydney, and City of Birmingham Symphony Orchestras, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Fabio Luisi, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden.

Bax constantly explores many facets of his career. He released his eleventh Signum Classics album, Italian Inspirations, whose program was also the vehicle for his solo recital debut at New York’s 92nd Street Y as well as on tour. He recently debuted with the New York Philharmonic Orchestra, playing Schumann Concerto and the Seattle Symphony with Saint-Saëns’ Second Piano Concerto and embarked on a trio tour of Spain with violinist Joshua Bell and cellist Steven Isserlis. Bax and his regular piano duo partner, Lucille Chung, gave recitals at New York’s Lincoln Center and were featured with the St. Louis Symphony and Stéphane Denève. He has also toured extensively with Joshua Bell and presented the complete works of Beethoven for cello and piano with cellist Paul Watkins in New York City.

Bax revisited Mozart’s K. 491 and K. 595 concertos, as heard on Alessio Bax Plays Mozart, for his recent debuts with the Boston and Melbourne Symphonies, both with Sir Andrew Davis, and with the Sydney Symphony, which he led himself from the keyboard. In addition, Bax made his solo recital debut at London’s Wigmore Hall, and give concerts at L.A.’s Disney Hall, Washington’s Kennedy Center, and New York’s Carnegie Hall. As a renowned chamber musician, he recently collaborated with Joshua Bell, Ian Bostridge, Lucille Chung, Steven Isserlis, Daishin Kashimoto, Sergei Nakariakov, Emmanuel Pahud, Lawrence Power, Jean-Guihen Queyras, Paul Watkins and Tabea Zimmermann. Since 2017 he has been the Artistic Director of the Incontri in Terra di Siena Festival, a Summer Music Festival in the Val d’Orcia region of Tuscany. He appears regularly in festivals such as Seattle, Bravo Vail, Salon-de-Provence, Le Pont in Japan, Great Lakes, Verbier, Ravinia and Music@Menlo. In 2009, he was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and the Lincoln Center Award for Emerging Artists.

Bax’s celebrated Signum Classics discography includes Beethoven’s “Hammerklavier” and “Moonlight” Sonatas (a Gramophone “Editor’s Choice”); Beethoven’s “Emperor” Concerto; Bax & Chung, a duo disc with Lucille Chung; Alessio Bax plays Mozart, recorded with London’s Southbank Sinfonia; Alessio Bax: Scriabin & Mussorgsky (named “Recording of the Month … and quite possibly … of the year” by MusicWeb International); Alessio Bax plays Brahms (a Gramophone “Critics’ Choice”); Bach Transcribed; and Rachmaninov: Preludes & Melodies (an American Record Guide “Critics’ Choice 2011”). Recorded for Warner Classics, his Baroque Reflections album was also a Gramophone “Editor’s Choice.” He performed Beethoven’s “Hammerklavier” Sonata for Daniel Barenboim in the PBS-TV documentary Barenboim on Beethoven: Masterclass, available on DVD from EMI.

At the record age of 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. A Steinway artist, he lives in New York City with pianist Lucille Chung and their daughter, Mila. He was invited to join the piano faculty of Boston’s New England Conservatory in the fall of 2019.

Upcoming Performances

Calendar
April 11 & 12 / Carnival of the Animals
April 11 & 12 / Carnival of the Animals

Daniel Bartholomew-Poyser, conductor
Modesto Symphony Youth Orchestra, side-by-side
Fri. April 11, 2025 at 7:30pm
Sat. April 12, 2025 at 7:30pm

Darryl Williams, guest vocalist

Darryl Jovan Williams is the Gold Medalist of the Americans Traditions Savannah Onstage International Soloist Competition. It was this competition that earned Williams a Gold Medal, a Ten Thousand Dollar Grand Prize, and an offer to sing for the Yachting Event for the 1996 Summer Olympics.

Darryl is a celebrated artist around the world. Darryl was invited to tour Eastern Europe as the Choir Director and guest soloist by the late Mr. Michael Brenner, one of Germany’s elite promoters, in the European Tour of Queen Esther Marrow and The Harlem Gospel Singers. His vocal prowess gained him rave reviews and won him the opportunity to perform for Pope (now Saint) John Paul II in Bologna, Italy.

Mr. Williams has toured extensively in the Broadway hit Smokey Joe’s Cafe with the legendary Gladys Knight and was a fixture at Caesars Palace in Las Vegas. Darryl has also created background vocals and sung background for artists such as Gladys Knight, Leslie Gore, Ann Nesby, Louis St. Louis, and Emmy Award winner Dave Pierce and most recently Michael Bublé. His performance and background vocals with Leslie Gore at Fienstein’s was lauded as one of the Top Ten Cabaret Shows in 2009.

A frequent soloist with symphony orchestras, Darryl’s recent and upcoming engagements include performances with Houston Symphony, Seattle Symphony, Baltimore Symphony, Utah Symphony, Chicago Philharmonic, Louisville Orchestra, Allentown Symphony, Chautauqua Symphony, among others.

Darryl has recently been the co-music arranger and vocal arranger for Sir Andrew Lloyd Webber. He was also the vocal arranger for the much-anticipated hit Jesus Christ Superstar Gospel, which won him rave reviews for his portrayal as Judas. Williams was recently a semi-finalist at the world-famous Apollo Theatre. He was most recently seen as the lead in Passing Strange and in a one man show written for him by Broadway legend Mr. Timothy Graphenreed. He is presently touring the world in his own show, The Mind of a Tenor, which has toured on Cruise ships and most recently South Africa.

Upcoming Performances

Calendar
September 9 / Picnic at the Pops! Aretha: A Tribute
September 9 / Picnic at the Pops! Aretha: A Tribute

Ryan Murray, conductor
Capathia Jenkins, guest vocalist
Darryl J. Williams, guest vocalist

Sat. Sept. 9, 2023 at 7:30 pm
E. & J. Gallo Winery Grounds

Jennifer Lindsay, soprano

Lyric soprano Jennifer Lindsay has been widely praised for her gorgeous tone and musical intelligence.

As Mimì in La Bohème with Opera Connecticut, she was lauded for her “plummy voice” by the Connecticut Town Times, and VOICE Magazine called her a “standout singer” for her portrayal of the pivotal character Mary Warren in Robert Ward’s The Crucible with Opera Santa Barbara.  Ms Lindsay joined the Metropolitan Opera as a member of the ensemble in a new and wildly popular production of Gershwin’s Porgy and Bess, which received a GRAMMY Award for Best Opera Recording. Equally at home in the contemporary music scene, Ms Lindsay has appeared with the LA Philharmonic in conjunction with Beth Morrison Projects to perform excerpts from John Adams’ I Was Looking At The Ceiling And Then I Saw The Sky, conducted by the composer. She debuted the role of Lucha in the world premiere of HOPSCOTCH with The Industry, directed by Pulitzer Prize-nominee Yuval Sharon, and performed the role of Tasha in excerpts from Dylan Mattingly’s modern opera Stranger Love at the biannual FIRST TAKE contemporary music festival co-hosted by The Industry and wildUp, Christopher Roundtree’s acclaimed new music ensemble. Ms Lindsay has also been a featured soloist with the San Diego Symphony, the Pacific Symphony, and the Bakersfield Symphony Orchestra. She currently resides in Orange County.

Upcoming Performances

Maria Dominique Lopez, mezzo soprano

Praised as “a rich-voiced mezzo” (Operawire) and “a real tour-de-force” (Splash Magazine), Mexican-American mezzo soprano Maria Dominique Lopez has sung operatic roles and symphonic works throughout the United States and Europe for over a decade. Additionally, Maria has recorded vocals for independent films and major motion pictures, including Golden Globe and Academy Award-Winning Disney/Pixar film, “Coco,” and New Line Cinema’s horror film, “The Curse of La Llorona.” Recent stage appearances include Houston Grand Opera: Opera to Go! (Madrina/Madrastra, Cinderella in Spain), Arizona Opera (Dritte Dame, Mozart’s Die Zauberflöte; Bonita, Arizona Lady), Phoenix Symphony (mezzo soloist, Vaughan Williams’ Magnificat), Resonance Works / Pittsburgh (Candelas, de Falla’s El Amor Brujo), Opera Memphis (Third Lady, Mozart’s The Magic Flute), Pacific Opera Project (Madam Flora, Menotti’s The Medium; Mercédes, Bizet’s Carmen; Musetta, Puccini’s La bohème), the world premiere at The Kennedy Center and the Polish premiere at the Teatr Muzycznys Poznaniu of Jenni Brandon’s 3 Paderewskis (Ignace), the LA premiere of Mark Weiser’s The Place Where You Started (Samantha), New Opera West (Cybil, Celka Ojakangas’ Mirror Game; Jenny, Ben Stevenson’s Recovered; Sara, Jeremy Rapaport-Stein’s The Moose), Southeast Symphony (mezzo soloist, Mahler’s Symphony No. 2), Angels Vocal Art (Principessa, Puccini’s Suor Angelica), Tustin Area Council for the Fine Arts (“Somewhere” soloist, Leonard Bernstein’s West Side Story), Long Beach Opera (mezzo soloist, Ungala Series), and LA Opera’s education outreach company, LA Opera Connects (Waitress/Angela, the world premiere of GG Gallegos’ Another Perfect Day; Rosina, Eli and LeRoy Vilanueva’s Figaro’s American Adventure). Dreams, and Cincinnati Opera (Third Wood Nymph, Dvorak’s Rusalka), but these performances were postponed to a future date due to the COVID-19 pandemic. Pandemic performances include “From Darkness to Light,” a livestream concert in which Maria joined other instrumentalists and vocalists from the Los Angeles area to benefit the SoCal Vocalist Relief Fund, and two online fundraisers for Resonance Works / Pittsburgh. In the Fall of 2020, Maria performed the world premiere of her first collaboration as a lyricist, “The COVID Dance” composed by Celka Ojakangas as part of a concert honoring the Women’s March produced by Resonance Works/Pittsburgh. Upcoming 2022 performances will see a fulfillment of the original contract to return to Resonance Works / Pittsburgh (Rosa, I Am a Dreamer Who No Longer Dreams), and as a soloist in LA Opera’s collaboration with The Huntington Library. A native Arizonan, Maria received her Bachelor of Fine Arts and Master of Music degrees from Northern Arizona University in Flagstaff, Arizona. She now lives in the Los Angeles area and owns her own energy healing and reiki practice, Ascending Arts. In addition to energy healing sessions, Maria uses her healing gifts to enhance her music performance in a program called “Sing the Light.” Through “Sing the Light,” Maria offers group Reiki during every live performance to all audience members who are open to receiving. It is her mission to help audience members tap into the transcendental healing that music can offer by creating a quantum connection between the heart of the performer and the heart of the audience member. She is a Senior Fellow in the Eric Fütterer Vocal Studio of Academy of Advanced Vocal Technique, and studies shamanic and energy practices with Shaman and Reiki Master, Jamie Jones.

More on Maria Dominique Lopez at: https://www.ascendingarts.exchange/voice

Upcoming Performances

Orson Van Gay II, tenor

Operatic Tenor, Orson Van Gay II, possesses a unique voice that captivates the audience with his charisma and command of the stage for a singer of his generation. His performances showcase vocal talents that have brought him constant recognition in Southern California and across the United States.

Recent and Upcoming: In the 2019-20 season, he created the role of Raymond Santana in the world première of Anthony Davis’s Central Park Five (Pulitzer Winning Opera 2021) with Long Beach Opera and made his role debut as Rodolfo in La bohème with Pacific Opera Project. He was Nemorino with the Phoenicia Int. Festival of the Voice and sang the romantic lead of the Young Man in Last Romance with Kansas New Theater. Equally at home as a recitalist, Mr. Van Gay has appeared in the Portsmouth Community Concert, Inc. (VA), the Rio Hondo College and at Carnegie Hall in a recital with Wang Wei. This season included working with Maestro Conlon in a supporting role at LA Opera in their production of Il trovatore and with the LA Philharmonic in their preparation of Fidelio. He debuted as Danilo in Pocket Opera’s The Merry Widow, followed by his debut as The Athlete in the West Coast premiere of, I Can’t Breathe with Pacific Opera Project. He was Vitaliano in Long Beach Opera’s Guistino with James Darrah directing; and reprised his role in The Central Park Five with Long Beach Opera in 2022. He reprised the role of Alfredo in La traviata with Piedmont Opera. Mr. Van Gay is the proud recipient of 2022 inaugural Hurst Artist of the year award.

“Orson Van Gay II was an ardent Alfredo...his sound was fluent and his high notes golden.”
— Broadway World

Mr. Van Gay has sung extensively with the Los Angeles Opera in many venues including their “Connects”, “City of Hope” “IAMLA, series. He debuted the role of Bernard Curson in the world première of Figaro 90210 with the company and was Ramerrez in The Prospector in two different seasons. Other operatic roles include Alfredo (La traviata), Ben (The Night of the Living Dead) and the title roles of Candide and Orpheus.

He joined the Cal Philharmonic Orchestra in celebration of Leonard Bernstein’s 100th anniversary and Beethoven’s Symphony No. 9 as tenor soloist at Walt Disney Concert Hall. Reviewed by George van Wagner he stated, “beautifully sung and strongly acted...audience members were visibly moved.” He has sung the haunting role of Orlando in The Industry’s nationally acclaimed production of Hopscotch. In addition to performing in the romantic and Germanic languages of opera, Mr. Van Gay was selected to perform in Mandarin last season making his debut with SINO U.S. Performing Arts Organization as tenor soloist for their concert series with performances in Los Angeles and Phoenix, Arizona.

He premiered Golden; a composition based on the life of Polish composer, Igancy Paderewski by Nathan Wang in Los Angeles and sang the role of Prince in the world première of Ricky Ian Gordon’s Morning Star.

He holds a Bachelor of Science in Vocal Performance from Old Dominion University in Norfolk, Virginia and has been honored by the NATS organization in first place on several occasions.

As a native of southern California, Mr. Van Gay is also an actor in several nationally recognized television series. He has been featured in major television commercials and starred on a variety of shows for Netflix; including foreign film and television. He co- starred on the Disney series Coop & Cami Ask the World.

More on Orson Van Gay ll at: http://www.orsonvangay.com

Colors of a Lyric by Orson Van Gay II

releases May 14, 2023

“After performing for nearly two decades, I was often asked, "do you have a record available?" I often referred fans to my website or YouTube where they could find highlights from operatic performances. The pandemic gave me the time to reflect and curate some of my favorite arias. I wanted to give the world a sneak peak into the pieces that have helped shape and inspire my journey, as an artist. As a budding musician, I remember listening to the iconic opera singers and thinking, 'this is how I want to connect to humanity!" This has been a labor of love brought to fruition through years of performances. I hope you enjoy.”

Upcoming Performances

Zachary Gordin, baritone

Praised for his “arresting musical insights”, Zachary Gordin has been active in many facets of the Classical Music industry. He has established himself as a leading baritone soloist, collaborative pianist, conductor, organizational consultant, and artist mentor; training singers who perform in the world's great opera houses and concert halls. 

His debut disc: Amour sans ailes - Songs of Reynaldo Hahn on the MSR Classics label was named "Best Lieder Recording of 2017" by Voix des Arts. On the operatic stage Gordin is well known for his performances of Joseph De Rocher in Jake Heggie’s Dead Man Walking, a role that won him critical acclaim when he premiered it at Dayton Opera in 2015. Other major roles include Count Almaviva in Le Nozze di Figaro, Escamillo in Carmen, Silvio in Pagliacci, Aeneas in Dido and Aeneas, Enrico in Lucia di Lammermoor, and Germont in La traviata. A veteran of the concert and recital stage, Gordin’s recent engagements include performances with San Francisco Symphony, Oakland Symphony, Sacramento Philharmonic, YOSA Philharmonic, Bay Area Rainbow Symphony, Olympic Music Festival, and many others.

“A voice that is commanding and intense without ever descending into coarseness”
— The Seattle Times

During his early childhood, he was inspired by his Great-Grandfather, an organist, and began training as a pianist at a young age. His commitment to education and access to the arts reinforces his work as General and Artistic Director of Festival Opera. He has served on the voice faculty of Sonoma State University and Santa Clara University, as a judge for regional and national voice competitions, and has given master classes at some of the country’s most renowned opera companies and schools. Gordin is also widely recognized as a frequent presence on Barihunks, a site dedicated to physically fit and vocally gifted operatic baritones from around the globe.

Upcoming Performances

Kaley Ann Voorhees, vocalist

Kaley Ann Voorhees is most known for being the youngest person to play Christine in The Phantom of the Opera, where she made her Broadway debut. She went on to perform in Prince of Broadway, a musical centered around the life and works of legendary director and producer Hal Prince, in both the touring Japanese and Broadway productions. Kaley had the honor of returning to the role of Christine on the international tour of Phantom during their run in Taipei, while it was the only production in the world still performing during the pandemic. Other credits include Candide (New York City Center), and The Marvelous Mrs. Maisel (Amazon TV).

Upcoming Performances

Calendar
December 1 & 2 / Holiday Pops!
December 1 & 2 / Holiday Pops!

Ryan Murray, conductor
Ashley Brown, guest vocalist

Fri. Dec. 1, 2023 at 7:30 pm
Sat. Dec. 2, 2023 at 2 pm

Michael Cavanaugh, vocalist

Michael Cavanaugh at Picnic at the Pops, 2010

Michael Cavanaugh is the new voice of the American Rock & Roll Songbook and a charismatic performer and musician made famous for his piano/lead vocals in the Broadway musical Movin’ Out. Handpicked by Billy Joel to star in Movin’ Out, Cavanaugh evokes a style rivaling the Piano Man. He appeared in the show for three years with over 1,200 performances and received multiple accolades. The show culminated in 2003 with both Grammy and Tony award nominations.

Michael began playing at age seven, when his parents bought their first piano.  Encouraged by family and friends, and inspired by his hero Billy Joel, Michael formed his first band at age 10 and began playing local functions, fine-tuning the craft that would become his chosen career. His first full-time gig as a musician was an extended engagement in Orlando, Florida, at a piano bar called Blazing Pianos. In January of 1999, Michael received an offer that would unknowingly change his life: an opportunity to play Las Vegas at the famed New York, New York Hotel and Casino. It was there that Billy Joel spotted Michael and joined him on stage one fateful night of February 2001.  It only took two songs before Billy was convinced that he had found his new Piano Man: Michael Cavanaugh. Michael closed up shop at New York, New York and moved to New York City to work alongside Billy Joel and Twyla Tharp to shape the Broadway Musical that would be called Movin’ Out.  In the lead role, he received both Tony and Grammy nominations.

With the close of Movin’ Out at the end of 2005, Michael began touring in his own right, creating a show that reinterprets the modern pop/rock songbook. Michael soon became one of the hottest artists in the private events market, and he continues to perform worldwide for company and charity events as well as sporting events including many PGA tour events, the SuperBowl, and the Indy 500.  His interpretation of the modern rock/pop songbook led to Billboard calling him “The New Voice of the American Rock and Roll Songbook,” and he was recognized by Reuters as Entertainer of the Year for the private events market.

It wasn’t long before symphony orchestras discovered Michael’s talents and audience appeal. He accepted his first orchestral booking, “Michael Cavanaugh – The Songs of Billy Joel and More,” which debuted in April 2008 with the Indianapolis Symphony and continues to tour today.  In October 2008, he signed with Warner/ADA to distribute his first CD, In Color.  In June 2010, Michael debuted his second symphony show in the Generations of Rock series titled “Michael Cavanaugh: The Songs of Elton John and More” and then debuted his third symphony show, “Singers and Songwriters: the Music of Paul Simon, Neil Diamond and James Taylor,” in 2012.  In 2015, he debuted his fourth symphony show: “Rockin’ Christmas with the Pops.”  He continues to tour all four symphony productions along with performing with his band in performing arts centers and other public venues.

“The Way I Hear It”, his second commercial album, was released in April 2017, and it debuted at #17 on the Billboard Heatseekers chart.

In 2020, Michael Cavanaugh reached the POLLSTAR Live75.  The top 75 active touring acts in the country.

Upcoming Performances

Christopher Dragon, conductor

Australian conductor Christopher Dragon is the Music Director of the Wyoming Symphony Orchestra and Resident Conductor of the Colorado Symphony. He joined the Colorado Symphony in the 2015/2016 Season as Associate Conductor – a position he held for four years. For three years prior, Dragon held the position of Assistant Conductor with the West Australian Symphony Orchestra, which gave him the opportunity to work closely with Principal Conductor Asher Fisch.

Dragon has a versatile portfolio ranging from live-to-picture performances of Nightmare Before Christmas, Jurassic Park and Mary Poppins, a wide variety of collaborations with artists such as The Flaming Lips, Cynthia Erivo and Wynton Marsalis, to standard and contemporary orchestral repertoire such as Danny Elfman’s Violin Concerto, Eleven Eleven, all areas of which he has become highly sought after. Christopher has become known for his charisma, high energy and affinity for a good costume, consistently delivering unforgettable performances that has made him an audience favourite.

Recent season highlights include his subscription series debut with the San Diego Symphony, performances of Danny Elfman’s Music from the Films of Tim Burton with Danny Elfman reprising the role of Jack Skellington and the historic Colorado Symphony performances with the Wu-Tang Clan at Red Rocks and the Mission Ballroom. Dragon’s upcoming debuts include concerts with the San Francisco Symphony and the Utah Symphony.

Christopher works regularly in Australia and has guest conducted the Sydney, Melbourne, Adelaide and West Australian Symphony Orchestras. His 2015 debut performance at the Sydney Opera House with John Pyke and the Sydney Symphony Orchestra was released on album by ABC Music and won an ARIA the following year. Christopher’s other guest conducting includes Orquestra Sinfônica de Porto Alegre, Cincinnati Pops Orchestra, San Diego Symphony, Omaha Symphony, Rochester Philharmonic Orchestra, Singapore Symphony Orchestra and the New Zealand Symphony Orchestra.

He has also conducted at numerous festivals including the Breckenridge and Bangalow Music Festivals, with both resulting in immediate re-invitations. At the beginning of 2016 Dragon conducted Wynton Marsalis’ Swing Symphony as part of the Perth International Art Festival alongside Wynton Marsalis and the Jazz at Lincoln Center Orchestra.

Christopher began his conducting studies in 2011 and was a member of the prestigious Symphony Services International Conductor Development Program in Australia under the guidance of course director Christopher Seaman. He has also studied with numerous distinguished conductors including Leonid Grin, Paavo and Neeme Jarvi at the Jarvi Summer Festival, Fabio Luisi at the Pacific Music Festival and conducting pedagogue Jorma Panula.

Upcoming Performances

Gabriela Martinez, piano

Versatile, daring, and insightful, Venezuelan-born pianist Gabriela Martinez is establishing a reputation both nationally and internationally for the lyricism of her playing, her compelling interpretations, and her elegant stage presence.

Since making her orchestral debut at age 7, Ms. Martinez has played with such distinguished orchestras as the San Francisco, Chicago, Houston, New Jersey, Tucson, West Michigan, Pacific and Fort Worth symphonies; the Buffalo Philharmonic Orchestra; Germany’s Stuttgarter Philharmoniker, MDR Rundfunkorchester, Nürnberger Philharmoniker, and MDR Leipzig Radio Philharmonic Orchestra; Canada’s Victoria Symphony Orchestra; the Costa Rica National Symphony; and the Simón Bolívar Symphony Orchestra in Venezuela. In the past four seasons she has appeared with the Knoxville, Pacific, Richmond, Charlotte, Grand Rapids, Pasadena, Billings, Richardson, Springfield, Wichita, and Waco symphony orchestras; the Orlando, Boise, and Dayton philharmonics; the Chamber Orchestra of Philadelphia; the Atlantic Classical Orchestra; and the Symphony of Southeast Texas. Orchestral engagements in the 2021-22 season include the Omaha, Hartford, Texarkana, and San Antonio symphony orchestras.

She has performed with conductors Gustavo Dudamel, James Gaffigan, James Conlon, Marcelo Lehninger and Guillermo Figueroa, among many others, and at such esteemed venues as New York’s Carnegie Hall, Avery Fisher Hall, Merkin Hall, and Alice Tully Hall; the Broad Stage in Santa Monica; the El Paso Pro Musica and Kansas City Harriman-Jewell series; Canada’s Glenn Gould Studio; Salzburg’s Grosses Festspielhaus; Dresden’s Semperoper; Copenhagen’s Tivoli Gardens; and Paris’s Palace of Versailles. Her festival credits include the Mostly Mozart, Ravinia, and Rockport festivals in the United States; Italy’s Festival dei Due Mondi (Spoleto); Switzerland’s Verbier Festival; the Festival de Radio France et Montpellier; and Japan’s Tokyo International Music Festival.

Amplified Soul, her debut solo album released in 2016 by Delos Records, features a wide-ranging program including works by Beethoven, Rachmaninoff, and Szymanowski. The album also pays homage to acclaimed composers Mason Bates and Dan Visconti, whose title selection Amplified Soul (world premiere recording), was written for Ms. Martinez. She collaborated with Grammy Award-winning producer David Frost on the album. A music video of Visconti's Amplified Soul can be found on Ms. Martinez's YouTube Channel.

Her wide-ranging career includes world premieres of new music, live performance broadcasts, and interviews on TV and radio. Ms. Martinez’s performances have been featured on National Public Radio, CNN, PBS, 60 Minutes, ABC, From the Top, Radio France, WQXR and WNYC (New York), MDR Kultur and Deutsche Welle (Germany), NHK (Japan), RAI (Italy), and on numerous television and radio stations in Venezuela.

Ms. Martinez was the First Prize winner of the Anton G. Rubinstein International Piano Competition in Dresden, and a semifinalist at the 12th Van Cliburn International Piano Competition, where she also received the Jury Discretionary Award. She began her piano studies in Caracas with her mother, Alicia Gaggioni, and attended The Juilliard School, where she earned her Bachelor of Music and Master of Music degrees as a full scholarship student of Yoheved Kaplinsky. Ms. Martinez was a fellow of Carnegie Hall’s The Academy, and a member of Ensemble Connect (formerly known as Ensemble ACJW), while concurrently working on her doctoral studies with Marco Antonio de Almeida in Halle, Germany.

Read our exclusive interview with Gabriela!

Upcoming Performances

George Li, piano

Praised by The Washington Post for combining “staggering technical prowess, a sense of command, and depth of expression,” pianist George Li possesses  brilliant virtuosity and effortless grace far beyond his years. Since winning the Silver Medal at the 2015 International Tchaikovsky Competition and being named the recipient of the 2016 Avery Fisher Career Grant, Li has rapidly established a major international reputation as he performs regularly with some of the world’s leading orchestras and conductors, such as Gustavo Dudamel, James Gaffigan, Valery Gergiev, Gustavo Gimeno, Manfred Honeck, Andrés Orozco-Estrada, Kirill Petrenko, David Robertson, Leonard Slatkin, Yuri Temirkanov, Vladimir Spivakov, Michael Tilson Thomas, Long Yu, and Xian Zhang.

Highlights of the 2021–22 season include orchestral engagements with the Nashville, San Diego, New World, North Carolina, Pacific, and Valencia Symphonies, as well as the National Philharmonic Orchestra of Russia. In addition, Mr. Li will perform recitals presented by the Chicago Symphony, University of Washington in Seattle, The Cliburn Foundation in Ft. Worth, Emory University in Atlanta, and StuttgartKonzert in Germany.

Recent concerto highlights include performances with the Los Angeles, New York, London, Rotterdam, Oslo, St. Petersburg, and Buffalo Philharmonics; the San Francisco, Tokyo, Frankfurt Radio, Sydney, Montreal, Baltimore, Utah, and Pittsburgh Symphonies; as well as the Philharmonia, DSO Berlin, and Orchestra National de Lyon.  His eight-concert tour of Germany with the Moscow Philharmonic Orchestra included performances at the Berlin Philharmonie, Philharmonie am Gasteig Munich, and the Stuttgart Liederhalle. Mr. Li frequently appears with Valery Gergiev and the Mariinsky Orchestra, including performances at the Paris Philharmonie, Luxembourg Philharmonie, New York’s Brooklyn Academy of Music, Verbier Festival, Grafenegg Festival, and in various venues, such as the Mariinsky Concert Hall, and others throughout Russia. Li has also performed with major Chinese orchestras, such as the NCPA, China Philharmonia, and Shanghai and Guangzhou Symphony Orchestras, under the baton of Long Yu and Xian Zhang.

“A bracing, fearless account…Mr. Li’s playing combined youthful abandon with utter command.”
— New York Times

In recital, Li performs at venues including Carnegie Hall, Davies Hall in San Francisco, the Mariinsky Theatre, Elbphilharmonie, Munich’s Gasteig, the Louvre, Seoul Arts Center, Tokyo’s Asahi Hall and Musashino Hall, NCPA Beijing, Shanghai Poly Theater, and Amici della Musica Firenze, as well as appearances at major festivals including the Edinburgh International Festival, Verbier Festival, Ravinia Festival, Vail Festival, Seattle Music Festival, La Jolla Festival, Festival de Pâques in Aix-en-Provence Festival, Colmar Festival, and Montreux Festival.

An active chamber musician, Li has performed alongside Benjamin Beilman, Noah Bendix-Balgley, James Ehnes, Daniel Hope, Pinchas Zukerman, Amanda Forsythe,  Sheku Kanneh-Mason, Kian Soltani, Pablo Ferrandez, and Daniel Lozakovich.

George Li gave his first public performance at Boston’s Steinert Hall at the age of 10. In 2011, he performed for President Obama at the White House in an evening honoring German Chancellor Angela Merkel. Among George Li’s many prizes and awards, he was the First Prize winner of the 2010 Young Concert Artists International Auditions, the inaugural Thomas and Evon Cooper International Competition, and the Grand Prix Animato, as well as a recipient of the 2012 Gilmore Young Artist Award and the 2018 Arthur Waser Prize.

George is an exclusive Warner Classics recording artist. His debut album, “Live at Mariinsky,” which was recorded live at the Mariinsky Concert Hall, won an Opus Klassik award for Soloist Recording of the Year in 2018. His second recording for the label features Liszt solo works and Tchaikovsky’s Piano Concerto No. 1, which was recorded live with Vasily Petrenko and the London Philharmonic, and released in October 2019.

George began his piano studies at age 4 with Dorothy Shi, before continuing with Wha Kyung Byun at New England Conservatory beginning at age 12. In 2019, he completed the Harvard/New England Conservatory dual degree program, with a Bachelor’s degree in English Literature and a Master’s degree in Music. He is currently pursuing an Artist Diploma at the New England Conservatory. When not playing piano, George is an avid reader and photographer, as well as a sports fanatic.

Upcoming Performances

Andrew Grams, conductor

With a unique combination of intensity, enthusiasm and technical clarity, American conductor Andrew Grams has steadily built a reputation for his dynamic concerts, ability to connect with audiences, and long-term orchestra building. He’s the winner of 2015 Conductor of the Year from the Illinois Council of Orchestras and has led orchestras throughout the United States including the Chicago Symphony, Detroit Symphony, National Symphony Orchestra, St. Louis Symphony, Cincinnati Symphony, Baltimore Symphony, Philadelphia Orchestra, Dallas Symphony, and the Houston Symphony.

Andrew Grams became music director of the Elgin Symphony Orchestra after an international search in 2013 and recently concluded his tenure there after 8 seasons. His charismatic conducting and easy accessibility have made him a favorite of Elgin Symphony audiences.

A frequent traveler, Mr. Grams has worked extensively with orchestras abroad, including the symphony orchestras of Toronto, Montreal, and Vancouver, the Orchestre National de France, Hong Kong Philharmonic, BBC Symphony Orchestra London, the symphony orchestras of Sydney, Melbourne, and Adelaide, the New Zealand Symphony Orchestra, the Barcelona Symphony Orchestra, and Het Residentie Orchestra in The Hague, Netherlands. He has led multiple performances of New York City Ballet’s George Balanchine’s The Nutcracker® and the first performances of the new production of The Nutcracker for the Norwegian National Ballet in Olso.

Also an educator, Mr. Grams has worked with orchestras at institutions such as the Curtis Institute of Music, the Cleveland Institute of Music, Indiana University, Roosevelt University, the National Orchestral Institute at the University of Maryland, and the Amsterdam Conservatorium.

Born in Severn, Maryland, Mr. Grams began studying the violin when he was eight years old. In 1999 he received a Bachelor of Music in Violin Performance from The Juilliard School, and in 2003 he received a conducting degree from the Curtis Institute of Music where he studied with Otto-Werner Mueller. He was selected to spend the summer of 2003 studying with David Zinman, Murry Sidlin and Michael Stern at the American Academy of Conducting at Aspen and returned to that program again in 2004. Mr. Grams served as Assistant Conductor of The Cleveland Orchestra from 2004-2007 where he worked under the guidance of Franz Welser- Möst, and has since returned for several engagements.

As an accomplished violinist, Mr. Grams was a member of the New York City Ballet Orchestra from 1998-2004, serving as acting associate principal second violin in 2002 and 2004. Additionally, he has performed with ensembles including the Orpheus Chamber Orchestra, Orchestra of St. Luke’s, Brooklyn Philharmonic, and the New Jersey Symphony.

Upcoming Performances

Simone Porter, violin

Violinist Simone Porter has been recognized as an emerging artist of impassioned energy, interpretive integrity, and vibrant communication. In the past few years she has debuted with the New York Philharmonic, the Philadelphia Orchestra, the Los Angeles Philharmonic; and with a number of renowned conductors, including Stéphane Denève,

Gustavo Dudamel, Yannick Nézet-Séguin, Nicholas McGegan, Ludovic Morlot, and Donald Runnicles. Born in 1996, Simone made her professional solo debut at age 10 with the Seattle Symphony and her international debut with the Royal Philharmonic Orchestra in London at age 13. In March 2015, Simone was named a recipient of an Avery Fisher Career Grant.

Recent highlights include Mendelssohn with New Jersey Symphony, Brahms with Pacific Symphony and an extensive tour throughout the US including concerts with the Santa Rosa, Amarillo, Pasadena, Fairfax and Midland Symphonies; the Rochester, Westchester, Orlando and Great Bay Philharmonics; the Sarasota Orchestra and the Northwest Sinfonietta. With the cessation of live concerts Simone continued to record streamed events with Seattle, Pittsburgh, Charlotte and Greater Bridgeport Symphonies. Beginning with the Aspen festival where she is a frequent guest, in July 2021 she resumed a full season of orchestral and recital concerts to include Denver, North Carolina, St. Louis, Grand Rapids, Quebec, Sarasota, Bakersfield, Princeton and Monterey Symphonies and recitals including Boston where the program includes the world premiere of a commission from composer Reena Esmail.

At the invitation of Esa-Pekka Salonen, Simone performed his work ‘Lachen verlernt’ (‘Laughing Unlearnt’), at the New York Philharmonic’s “Foreign Bodies,” a multi-sensory celebration of the work of the composer and conductor. In recent seasons, she has also appeared at the Edinburgh Festival performing Barber under the direction of Stéphane Denève, and at the Mostly Mozart Festival performing Mozart under Louis Langrée. She has also performed with the Los Angeles Philharmonic at the Hollywood Bowl with both Nicholas McGegan and Ludovic Morlot, and at Walt Disney Concert Hall with Gustavo Dudamel.

Internationally, Simone has performed with the Simón Bolívar Symphony Orchestra with Gustavo Dudamel; the Orquestra Sinfônica Brasileira in Rio de Janeiro; the National Symphony Orchestra of Costa Rica; the City Chamber Orchestra of Hong Kong; the Royal Northern Sinfonia; the Milton Keynes City Orchestra in the United Kingdom; and the Opera de Marseilles.

Simone made her Carnegie Zankel Hall debut on the Emmy Award-winning TV show From the Top: Live from Carnegie Hall followed in November 2016 by her debut in Stern Auditorium. In June 2016, her featured performance of music from Schindler’s List with Maestro Gustavo Dudamel and members of the American Youth Symphony was broadcast nationally on the TNT Network as part of the American Film Institute’s Lifetime Achievement Award: A Tribute to John Williams.

Raised in Seattle, Washington, Simone studied with Margaret Pressley as a recipient of the Dorothy Richard Starling Scholarship, and was then admitted into the studio of the renowned pedagogue Robert Lipsett, with whom she studied at the Colburn Conservatory of Music in Los Angeles. Summer studies have included many years at the Aspen Music Festival, Indiana University's Summer String Academy, and the Schlern International Music Festival in Italy.

Simone Porter performs on a 1740 Carlo Bergonzi violin made in Cremona Italy on generous loan from The Master’s University, Santa Clarita, California.

Upcoming Performances

Anthony Parnther, conductor

American conductor, Anthony Parnther, is the Music Director and Conductor of the San Bernardino Symphony Orchestra and the Southeast Symphony & Chorus in Los Angeles.

Recent guest conducting engagements include the Los Angeles Philharmonic, Los Angeles Opera, Atlanta Symphony Orchestra, Chineke! Orchestra, Simfònica de Barcelona i Nacional de Catalunya, Jacaranda - Music at the Edge, Hear Now Music Festival, Mann Center Festival Orchestra, Pittsburgh Microtonal Festival, Hollywood Chamber Orchestra, Brightwork NewMusic, and the World Opera Forum in Madrid, Spain. 

Over the next season, Anthony will premiere Kris Bower’s Concerto for Horn with the Los Angeles Philharmonic, Tamar-kali Brown’s Oratorio “We Hold These Truths” with the Los Angeles Opera, work alongside composer Anthony Davis on his Pulitzer Prize-winning opera Central Park Five with the Long Beach Opera, and premiere a new work for narrator and orchestra by Oscar-winning, GRAMMY-nominated Jon Batiste, host of The Late Show with Stephen Colbert with the Gateways Festival Orchestra at Carnegie Hall.

Anthony has led the Hollywood Studio Symphony in recording sessions for many international feature film and television projects including Star Wars: The Mandalorian, Tenet, Star Wars: Book of Boba Fett, Little, American Dad, The Hunt, Fargo, The Way Back, The Night Of, Ghostbusters: Afterlife, Encanto,  and Ice Age: Adventures of Buck Wild. His live orchestral concert appearances for e-sports titan League of Legends in Barcelona, Beijing, Seoul, and Los Angeles are among the most widely viewed symphonic concerts in the world, with live audiences of 50,000-75,000 spectators and a viewership that outpaces the World Series with approximately 100 million live streaming each League of Legends Finals Opening Ceremony concert.

Anthony has restored and performed orchestral works by Florence Price, Zenobia Powell Perry, Margaret Bonds, William Grant Still, Duke Ellington, and Samuel Coleridge Taylor. He has premiered and recorded works by Anthony Davis, George Walker, Errollyn Wallen, John Wineglass, Gary Powell Nash, Marian Harrison, Renee Baker, James Wilson, Phillip Herbert, Daniel Kidane, Chanda Dancy, and James Newton. In 2015, Anthony was profiled by Los Angeles' KCET/TV as a "Local Hero" for his extensive community outreach and advocacy for the performance of works by Black, Latino, and Women artists. 

Anthony studied music performance at Northwestern University and continued his musical studies at Yale University where he studied orchestral conducting with Lawrence Leighton Smith and Otto Werner Mueller.  He resides in Los Angeles.

Upcoming Performances

Ryan Silverman, vocalist

Ryan Silverman performing with the MSO at Holiday Pops! 2019.

Noted for his performances which “stand in memory” (The New York Times), multiple Drama Desk nominee RYAN SILVERMAN has been praised as the “smoothest, most assured bari-tenor, leading-man theatre voice at the moment” (Playbill.com). Silverman received a Drama Desk nomination for Best Actor for the role of Terry Connor in Side Show on Broadway, and has starred as Raoul in The Phantom of the Opera and as Billy Flynn in CHICAGO.

Silverman has also received Drama Desk and Drama League nominations for his performance as Giorgio in CSC’s 2013 production of Passion, which the New York Times praised for its “risk-taking, unconditional emotional commitment.” Additionally, he has appeared as Sir Lancelot in Camelot at the Kennedy Center, in the Théâtre du Châtelet’s acclaimed production of Passion opposite Natalie Dessay, as Tony in the Olivier-nominated 2008 West End production of West Side Story, and in the premiere of Delaware Theater Company’s new musical, A Sign of The Times.

Silverman recently starred in concert with West Side Story with the Philadelphia Orchestra and in The Golden Apple at City Center Encores! He has made soloist appearances with the New York Pops, Seattle Symphony, Philly Pops, Cincinnati Pops, Houston Symphony, the NHK Symphony in Tokyo, the Cleveland Orchestra, Detroit Symphony, Vancouver Symphony, the Kaohsiung Symphony in Taiwan, and Edmonton Symphony, among others.

Other credits include Cry-Baby on Broadway, Finian’s Rainbow (Irish Repertory Theater), and New York City Opera’s The Most Happy Fella. He recently made his debut at Papermill, starring in Ken Ludwig’s A Comedy of Tenors.

Regional credits include Thoroughly Modern Millie (Jimmy), Cinderella (the Prince), Grease! (Danny), Hello Dolly! (Cornelius), Assassins (John Wilkes Booth), Sweeney Todd (Anthony), Forever Plaid (Smudge), and Blood Brothers (Eddie Lyons). Silverman has performed his club act the Café Carlyle (month long residency) and Feinstein’s at the Regency, as well as 54Below with Melissa Errico. His television and film credits include Suits, Good Fight, Gossip Girl, The 5 Minarets Of New York, Sex and the City 2, and True Blood. 

Upcoming Performances

Disney Concerts

Disney Concerts is the concert production and licensing division of Disney Music Group, the music arm of The Walt Disney Company. Disney Concerts produces concerts and tours, and licenses Disney music and visual content to symphony orchestras and presenters on a worldwide basis. Disney Concerts’ concert packages include a variety of formats, such as “live to picture” film concerts and themed instrumental and vocal compilation concerts, and range from instrumental-only symphonic performances to multimedia productions featuring live vocalists and choir. Current titles include the Star Wars Film Concert Series (Episodes IV-VII), Beauty and the Beast, The Little Mermaid, Fantasia, Pixar In Concert, The Nightmare Before Christmas, Alice In Wonderland, Frozen, Ratatouille, The Pirates of the Caribbean series (Episodes I-IV), and Silly Symphonies, which last year collectively accounted for over 400 performances in many of the world’s top concert venues, including Lincoln Center, Royal Albert Hall, Sydney Opera House, Tokyo Forum and the Hollywood Bowl. Numerous new concert packages and touring productions from Disney’s portfolio of studios, including Disney’s feature animation and live action studios, Pixar, Lucasfilm and Marvel, are currently in development.

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